Jazz Guitar

The Concord Jazz Guitar Collective was a 1995 project that united Howard Alden with fellow guitarists and Concord artists Jimmy Bruno and Frank Vignola. For Concord, a three-guitar date was hardly unprecedented; back in 1974, the label had brought Barney Kessel, Charlie Byrd, and Herb Ellis together as the Great Guitars. Despite the fact that they all play the same instrument, Alden, Bruno, and Vignola prove compatible on this outing, which also employs Jim Hughart on upright bass and Colin Bailey on drums. Although Bruno tends to be more aggressive and forceful than Alden, he can be quite lyrical when he wants to; and while Alden isn't as hard a player as Bruno, he definitely swings. The two have a strong rapport on uptempo numbers like Charlie Parker's "Ornithology," Sam Jones' "Bittersweet," and Benny Goodman's "Seven Come Eleven," as well as on more relaxed performances like Django Reinhardt's "Song D'Autumne"…

Eight-time Grammy-winner George Benson covers chord substitutions, turnarounds, the Wes Montgomery style, and more. He demonstrates his signature scat-style singing on the groundbreaking This Masquerade and soloing over the famous On Broadway vamp. Also included are several virtuoso solo jazz and blues guitar performances by Benson himself—further proof, if it were needed, of his total mastery of jazz guitar.

Arguably the most brilliant jazz guitarist of the 20th century, Belgian gypsy player Django Reinhardt virtually reinvented the form with a unique two-finger style and the application of his own highly individualistic improvisatory method. The documentary release Django Reinhardt: King of Jazz Guitar both explores and pays homage to Reinhardt's life and career, and features selections from Reinhardt interpretations of 21 classics including "Tiger Rag," "I Saw Stars," "Charleston," and "Lisa."