t's tempting to hear Kamasi Washington's six-track Harmony of Difference suite as a follow-up to his sprawling, justifiably acclaimed three-hour debut The Epic. But this EP, at just over half-an-hour, is, in many ways, a standalone work. It was performed in New York at The Whitney Biennial as part of a show that included a film by director A.G. Rojas and paintings by Washington's sister Amani. According to the artist, it was composed to explore "the philosophical possibilities of the musical technique known as 'counterpoint.'" Washington defines it as "the art of balancing similarity and difference to create harmony between separate melodies." That description is, at least in this setting, akin to metaphor in the current socio-political-cultural era where flash point battles over issues of race, gender, sexual orientation, and cultural appropriation are being waged afresh.
“Somehow I discovered I could write this music and play the saxophone. All that stumbling around and stuff, I ended up finally being able to play it a little bit. I ain’t the greatest by any means, not even close—but I think I’ve got depth, a broadness of my musical sensibility, that a lot of soloists don’t have, because they focus on that one thing, soloing. I want to develop the whole backdrop, the scenery. Once I found out that was possible, that I could collaborate with people, I came alive musically.” —Julius Hemphill
"…Obwohl es kaum eine dramatische Steigerung, kaum einen lauten, rhythmisch exaltierten Ausbruch gibt und die Musik meist mit gebremster Leidenschaft am Ohr entlangfließt, schmeichelt sie doch auch der Aufmerksamkeit: lyrischversonnene, schön klingende Duette, in Wahrheit jedoch meist begleitete Solostücke für das Saxophon. Im Spiel erkennt man zwei gute Musiker: den Gitarristen und Synthesizer-Spieler Harmssen und den Saxophonisten Jochen Voss, der einen klaren, festen Ton bläst. ~Die Zeit"
The Original Indiana Five was an excellent dixieland-oriented band that never really rose out of obscurity. The ensemble recorded 98 selections during 1923-29 and six others as part of drummer Tom Morton's larger band; few have ever been reissued, whether on Lp or on disc. This CD, easily the definitive Original Indiana Five release put out to date, has all of the band's 23 recordings for the Harmony label (the quintet recorded for several companies) plus Morton's three selections for Harmony.