This box is a musical treat for all jazz fans, as no less than 20 original albums by the Modern Jazz Quartet are released here on ten CDs…
In typical Fantasy Records aplomb, this four-CD set collects the eight albums which the Modern Jazz Quartet either mentored or collaborated on during their tenure at the commencement and nadir of their reign as jazz's premier chamber ensemble. Beginning with the 1952 issue of Modern Jazz Quartet/Milt Jackson Quintet recording (the earlier Milt Jackson Quartet sides are not here for obvious reasons, as the band did not commence its fully developed form on them) featuring original drummer Kenny Clarke before Connie Kay replaced him, and ending with This One's For Basie in 1985; the association the MJQ had with Prestige was a monumental one.
That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
Bassist Vinnie Burke (1921-2001) was born in Newark, New Jersey. He began playing violin and guitar early in life, but when he lost the use of his little finger in a munitions factory accident he switched to double bass. Vinnie played with the small groups of Joe Mooney, Marian McPartland, Don Elliott and Tal Farlow, and with the big bands of Sauter-Finnegan and Benny Goodman, as well as in a number of groups he led.
Zagreb Jazz Quartet - was among the first significant jazz ensembles in Croatia. It was founded in 1959.Soon the quartet became famous, home and abroad, for its distinctive art of chamber music and folk elements which were included in the compositions.
Cannonball Adderley - One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.
Adderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York.