jd Allen

After carving out his rightful place at the apex with a series of brilliant piano-less trio outings focused on pithy originals, saxophonist JD Allen recently felt the winds of change in his horn and his habits. He reached a conclusion that originality may sit not in the song's architect but in its possessor, and he came to an understanding that the most outside experiences may actually be connected to the greatest acts of looking inward. So rather than cast his own pen in a new light again, Allen took to the challenge of investing his strong-willed spirit into a series of time-tested ballads. The results are simply breathtaking.

A breakthrough album by pianist Kris Davis. Diatom Ribbons is her 14th recording as a leader and marks a new chapter in her career as she keeps writing and playing with imagination, courageously looking forward. Here, she is in charge of nine exceptional musicians, including old and new collaborators, who are combined to provide specific sonic outfits for each of the ten tunes on the record. If the presences of saxophonist Tony Malaby, vibraphonist Ches Smith, and bassist Trevor Dunn are not surprises, then the inclusion of great tenorist JD Allen, drummer Terri Lyne Carrington, explosive guitarists Marc Ribot and Nels Cline, vocalist Esperanza Spalding, and Haitian electronics artist Val Jeanty are all new additions to Davis’ projects.

Nicole Glover has been getting some well-deserved exposure recently in the context of groups like the Artemis sextet and the Jazz at Lincoln Center Orchestra. But this tenor saxophonist is best appreciated on her own albums, where she fronts a saxophone-bass-drums trio. While not a common jazz format, this instrumentation has sired some classic recordings, beginning with a 1945 Commodore record by Don Byas and Slam Stewart (whose foot-tapping qualifies as "drumming"), through classics by Sonny Rollins, Joe Henderson and Ornette Coleman, to contemporary trios led by Branford Marsalis and Glover's label mate, JD Allen.

David Weiss - Wake Up Call (2016) {ropeadope RAD-328 rec 2015}
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© 2016 ropeadope | RAD-328
Jazz / Progressive Jazz / Post-Bop / Modern Creative

Trumpeter David Weiss incorporates a heavy-duty guitar assault into this exhilarating program designed with a diverse track-list, comprised of originals by jazz luminaries Wayne Shorter, Joe Henderson, John McLaughlin and Tony Williams among others. The trumpeter's Point of Departure ensemble generates a neo-jazz fusion panorama, coupled with an emphatic integration of progressive jazz amid references to bop and a few excursions into the outside realm. Besides the triad of outstanding guitarists, Weiss yields a big payout from all-star saxophonists Myron Walden and J.D. Allen also appearing on select tracks.

In the minds of some musicians and fans, music is meant to be an athletic competition where speed and strength trump everything else, but a large segment of audiences and performers don't buy into that line of thinking. Others believe that music can be a vehicle for expressing emotions and dealing in the art of communication, and pianist Lisa Hilton's Underground embodies those very ideals.
Hilton's music has never been of the chops-heavy variety, but the California-based pianist/composer is a masterful mood-setter and a conceptualist nonpareil. While earlier albums in her discography occasionally painted sunny pictures, in keeping with stereotypes that often surround West Coast jazz musicians, Underground is a darker production that proves to be her strongest outing yet…