Tout commence par quelques mots griffonnés au dos d'une carte postale : "Je pense à vous, je vous aime." Ils sont signés de Charles, le père d'Antoine, parti vingt ans plus tôt sans laisser d'adresse. Avec son meilleur ami, Laurent, apprenti journaliste, et Anna, sa jeune soeur complètement déjantée, Antoine part sur les traces de ce père fantôme. C'est l'affaire d'une semaine, pense-t-il…
To mark the 150th anniversary of the death of Hector Berlioz, ATMA Classique and Festival Classica present the first complete recording of the composer's arrangements of romances for voice and guitar. Selected from The Recueil de romances avec accompagnement de guitare, most of these pieces are arrangements of popular tunes from the comic operas that were all the rage in Paris in Berlioz's time. Soprano Magali Simard-Galdes and tenor Antonio Figueroa are accompanied by David Jacques, who plays an 1829 Jean-Joseph Coffe guitar. The young Quebecoise soprano Magali Simard-Galdes has been acclaimed for her crystalline timbre, great musicality, and magnetic stage present. Recent debuts include the role of Sophie in Werther for Opera de Quebec, and Louisette in Bonsoir viosin at Opera Lafayette. Montreal native Antonio Figueroa began his career with the Opera de Montreal in their artist-in-residence program. He has won several awards, including the International Vocal Arts Institute's Silverman Prize for his performance as Belmonte. Guitarist and lutenist David Jacques has a Ph.D. in early music performance from the Universitie de Montreal. His discography consists of more than 50 recordings across several labels.
The Belgian composer Wim Mertens (born 1953) is an international recording and performing artist who has given several concerts, as a soloist and with his ensemble all over Europe, in North and Central America, Japan and in Russia. Wim Mertens plays the piano and the classical guitar. He sings in a characteristically high-pitched voice, using a carefully crafted personal language. Since 1980 he has composed many pieces in different formats, from short, accessible songs or Lieder to magnanimous and complex three and four parts cycles, and for different settings: from piano solo to chamber music ensembles and symphonic orchestra. He often writes for unusual instrumentations: twelve piccolos, ten basstrombones, thirteen clarinets. Since his recording debut in 1980, titled For amusement only, an electronic composition for pinball machines, Wim Mertens has released more than 50 albums.