Jean Julien

F. Lazarevitch & Les Musiciens de Saint-Julien - J.S. Bach: Sonates & Solo pour la flte traversiere (2014) {Outhere}
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© 2014 Outhere / Alpha Productions | Alpha 186
Classical / Baroque / Chamber Music / Flute

This new version of flute works from Johann Sebastian Bach is based on the edited precepts by the famous flautist Johann Joachim Quantz who met Bach repeatedly. Multiple combinations of joints were particularly interested François Lazarevitch which puts into practice in this record. Fascinated by the "flick of the tongue" that needed to be changed by the flutists at time of Bach, Lazarevitch successful attempts to find a "know-how" which is a fundamental and indispensable element for the music performed here can make any sense.

Tout semble étrange depuis le retour de Luc Melville à Paris : personne n'est venu l'accueillir à l'aéroport, personne n'a répondu à ses appels téléphoniques, personne ne semble savoir où se trouve son frère. Comment retrouver sa piste dans le fracas et le mystère qui entourent sa disparition ? Et quelle est donc cette ombre de cauchemar qui rôde et murmure à ses côtés ? …

L'ensemble des situations auxquelles l'employé est confronté tout au long de sa vie professionnelle, de l'entrée d'un salarié dans l'entreprise jusqu'à son départ. L'ouvrage s'adresse autant aux employés qu'aux dirigeants, pour une meilleure connaissance des principes du droit du travail. Les formalités d'embauche, les recours en cas de litige et les nouvelles technologies sont notamment abordés. …

The myth of Phaedra and Hippolytus, as terrible as it is fascinating, has been retold by many artists over the centuries, including composers. This recording presents the first performance of Jean-Baptiste Lemoyne's opera in it's complete form since the premiere. It reveals a work whose classical surface conceals a style that is vehement, exalted and threatening by turns, a thrilling testimony to the bubbling energy of pre-Romanticism. Served by the total commitment of the Orfeo Orchestra and Purcell Choir under the direction of György Vashegyi, the drama closes in on the inescapable destinies of Phèdre, Hippolyte and Thésée, movingly sung by Judith van Wanroij, Julien Behr and Tassis Christoyannis.

The Haydn series continues with the Paris Symphony no 87. Julien Chauvin and his orchestra keep shaking us up with historical instruments listening Haydn’s works and several other forgotten scores from the same period. All of them were commissioned for the Concert de la Loge Olympique - ancestor and model for Julien Chauvin and his musicians - and all of them sank into oblivion during the 19th century, except for Haydn’s symphonies. The release offers an opportunity to experience some rare works of Grétry, Lemoyne and Ragué and to revive the success that they once knew.

The well-known Concert de la Loge, the period instruments orchestra led by the violinist Julien Chauvin, return with the third episode of Haydn’s journey in Paris. His complete Parisian Symphonies recording continues this Autumn with the number 82 nicknamed ‘The Bear’. It is coupled with the Symphonie concertante for bassoon, horn, flute and oboe of one of his contemporaries, François Devienne. This colourful third volume draws a witty and virtuoso panorama of French 18th century music.