Jeff Gold

Blow by Blow typifies Jeff Beck's wonderfully unpredictable career. Released in 1975, Beck's fifth effort as a leader and first instrumental album was a marked departure from its more rock-based predecessors. Only composer/keyboardist Max Middleton returned from Beck's previous lineups. To Beck's credit, Blow by Blow features a tremendous supporting cast. Middleton's tasteful use of the Fender Rhodes, clavinet, and analog synthesizers leaves a soulful imprint. Drummer Richard Bailey is in equal measure supportive and propulsive as he deftly combines elements of jazz and funk with contemporary mixed meters. Much of the album's success is also attributable to the excellent material, which includes Middleton's two originals and two collaborations with Beck, a clever arrangement of Lennon and McCartney's "She's a Woman," and two originals by Stevie Wonder…

Recouping after a car crash and faced with the loss of Rod Stewart and Ron Wood, Jeff Beck redefined what the Jeff Beck Group was about, deciding to tone down the bluesy bombast, adding keyboardist Max Middleton for a jazz edge, then having Bob Tench sing to give it an overblown early-'70s AOR edge. As expected, these two sides are in conflict and Tench can be a little overbearing, but there are moments here that bring out the best in Beck. Namely, these are the times when the group ventures into extended, funk-inflected, reflective jazzy instrumental sections. These are the moments that point the way toward the success of Blow by Blow, yet this remains an unabashed rock record of its time, and it falls prey to many of its era's excesses, particularly lack of focus. Still, there are moments that are as fine as anything Beck played here.

One of the most magical, as-yet unreleased live performances by Jeff Buckley debuts on vinyl as part of the continuing celebration of the 25th anniversary of his debut studio album Grace. Buckley’s captivating appearance on KCRW-FM’s long-running Morning Becomes Eclectic was accompanied by the core band with which he recorded Grace, and features favorites from that record, including “Mojo Pin,” “So Real,” and “Lover, You Should Have Come Over.”

Capital Gold plays only the best music from the major icons of pop and rock history including Elton John, Queen, Simon & Garfunkel, The Animals, Blondie, David Bowie, Tina Turner, The Moody Blues, Genesis, Roxette, Otis Redding and many others.

Wynton Marsalis - Wynton Marsalis (1982) {Columbia Mastersound Gold Edition CK 53790}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1982 Columbia / Sony Music | Mastersound Gold Edition | CK 53790
Jazz / Neo Bop / Post Bop / Trumpet

The Definitive version of this album classic, it is produced to the highest possible standard. The latest sonic technologies and equipment. And Archival research to find the original masters assures a listening experience that puts you in the studio with the artist himself. 20-bit digital transfers using sony's "SBM" process. Trumpeter Wynton Marsalis's debut on Columbia, recorded when he was only 19, made it clear from the start that he was going to be a major force in jazz. At the time Marsalis (who was originally a bit influenced by Freddie Hubbard) was starting to closely emulate Miles Davis of the mid-'60s and his slightly older brother Branford took Wayne Shorter as his role model.