Jensen Ingrid Vernal Fields

Ingrid Jensen has the talent to make a dent in the world of jazz, and her hard-edged sound on trumpet hearkens to some of the past masters such as Woody Shaw, Freddie Hubbard, and Clifford Brown. Her excellent choice of a second horn, tenor saxophonist Gary Thomas (who doubles on flute), should have been enough to catapult this recording to the top of the pack, but somehow, the somewhat placid arrangements detract from the whole. Instead of the breakthrough album that might have been, Jensen has produced a good, if fairly pedestrian, recording, one that contains moments of inspired playing but somehow leaves the listener wanting more. Jensen knows how to build tension and release it at unexpected times, and her clipped phrases highlight an otherwise ordinary set.

Trumpeter Ingrid Jensen continues to pursue the edges of "in" on her second disc as leader. This time around, Jensen gets some assistance via the ever explosive drummer Bill Stewart as well as the equally searching reedman Gary Bartz. This is solid post-bop jazz that deserves a listen.

The exceptional alto and soprano saxophonist from Canada releases the compelling Day Moon with her impressive quartet on Justin Time Records. The music is at turns, melancholic and ebullient, sober and playful. It’s a date where she creates an improvisational community of close friends in quartet and duo settings. “I got hit hard by the pandemic because I felt alone and was not doing what I’m supposed to do,” Jensen says. “So, I focused on my saxophones, teaching myself to present my sound, my solo voice. It’s almost like becoming the vocalist.”

Saxophonist Ingrid Laubrock and pianist Aki Takase initially performed together at Jazzfest Berlin in 2016, and they turned that encounter into ongoing spirited dialogues three years later for theirs first duo disc. As with Takase`s recent solo album, Hokusai, and Laubrock's small group albums, they unravel a series of sudden twists throughout a set of brief compositions. Serious technique support that playfulness here, as does a warm mutual empathy.

Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.

This is the second two-CD set of Beethoven's ten sonatas for piano and violin performed by violinist Henryk Szeryng and pianist Ingrid Haebler. It includes Beethoven's final five works in this form, including the three sonatas of opus 30, the opus 47 sonata, and the opus 96 sonata.

Beethoven wrote ten sonatas for piano and violin, the best known of which are the "Spring" and the "Kreutzer" sonatas. The fame of these two works has tended to result in neglect of the remaining sonatas. This is unfortunate because Beethoven's remaining eight sonatas for piano and violin include much great music. The set of 10 works is of an appropriate size to warrant exploration of the entire group for those with a passion for the violin or for Beethoven. It includes an appealing mix of familiar and unfamiliar music.

Canadian and Quebecoise singer Ingrid St-Pierre released a new album, Reines (Queens). The themes are homages to various women and introspection.

The album Dreamt Twice, Twice Dreamt follows Ingrid Laubrock's landmark orchestral album Contemporary Chaos Practices from 2018 (Intakt CD 314). Ingrid Laubrock presents on this double album five compositions in double version. On the first CD, the EOS Chamber Orchestra Cologne interprets Laubrock's compositions. The soloists are Cory Smythe (piano), Sam Pluta (electronics), Robert Landfermann (bass), Tom Rainey (drums) and Ingrid Laubrock (saxophone). On a second CD of the double album a filigree ensemble around the core trio of Ingrid Laubrock, Cory Smythe, Sam Pluta and the guests Adam Matlock, Josh Modney and Zeena Parkins play the same five compositions.