In the '80s, Jethro Tull was no longer the dominant force on the rock scene they had been throughout much of the previous decade, but the indomitable Ian Anderson continued to make ambitious records based on themes of ages past, even in an era of skinny ties and drum machines. BROADSWORD AND THE BEAST has a marked swords-and-sorcery motif; Anderson is depicted as a winged elfin creature on the cover. Despite such leanings, producer Paul Samwell-Smith–original bassist for the Yardbirds–gives the record a modern gloss, weaving the synthesizer playing of Peter-John Vettesse and the out-sized guitars of Tull stalwart Martin Barre through BROADSWORD's vaguely medieval-sounding romps.
With five decades behind them, there are certainly plenty of career overviews and compilations to be had for listeners looking to indulge in the choicest bits of the stalwart British progressive folk-rock band's career. The aptly named 50 for 50 sees Jethro Tull's longtime director of operations, Ian Anderson, deliver his picks, which range from instantly familiar classic rock radio staples "Aqualung" "Locomotive Breath," and "Cross-Eyed Mary" to later, more stylistically diverse offerings like "Steel Monkey" (from 1989's Grammy Award-winning Crest of a Knave) and the Middle Eastern-tinged "Rare and Precious Change" (from 1995's Roots to Branches)…
Following the end of the Stormwatch tour in early 1980, Jethro Tull would undergo its largest line-up shuffle to date, resulting in Barriemore Barlow, John Evan and Dee Palmer all leaving the band. Jethro Tull was left with Anderson (the only original member), Martin Barre and Dave Pegg.
The Broadsword and the Beast is the 14th studio album by Jethro Tull, released on 10 April 1982 and according to Ian Anderson in the liner notes of the remastered CD, contains some of Jethro Tull's best music. It mixes electronic sound, provided by Peter-John Vettese (a characteristic that would be explored further on the next album Under Wraps), with acoustic instruments. The album is a cross between the synthesiser sound of the 1980s and the folk-influenced style that Tull had in the previous decade. The Broadsword and the Beast is one of Steve Hackett's favorite albums.
40th anniversary deluxe reissue. The massive 5CD+3DVD ‘Monster Edition’ includes a new Steven Wilson stereo mix of the album, plus a host of associated recordings, also newly mixed by Wilson (CDs 1 & 2). The third disc offers demos, master mixes, rough mixes and more, while CDs 4 & 5 deliver a live set from Germany performed in 1982. The three DVDs included with this Monster Edition offer audio only content, with the first devoted to 5.1 and hi-res stereo mixes of the album associated recordings. The second DVD delivers even more associated recordings in the same audio formats, while DVD 3 is the Live in Germany 1982 concert in hi-res stereo and 4.1 surround sound.
Where the first Jethro Tull box five years earlier, 20 Years of Jethro Tull, mostly traded on radio broadcast performances and rarities, a few outtakes, and a remastered collection of key songs, 25th Anniversary Boxed Set benefits from a more thorough raid on the vaults that has yielded up one essential addition to any Jethro Tull collection. Disc two is the centerpiece of the set, containing an additional hour of the group's November 4, 1970 concert at Carnegie Hall in New York (two pieces were previously issued on Living in the Past). Preserved on a 16-track master tape, this benefit show for the drug rehabilitation program Phoenix House was the group's most prominent American gig up to that time…
Where the first Jethro Tull box five years earlier, 20 Years of Jethro Tull, mostly traded on radio broadcast performances and rarities, a few outtakes, and a remastered collection of key songs, 25th Anniversary Boxed Set benefits from a more thorough raid on the vaults that has yielded up one essential addition to any Jethro Tull collection. Disc two is the centerpiece of the set, containing an additional hour of the group's November 4, 1970 concert at Carnegie Hall in New York (two pieces were previously issued on Living in the Past). Preserved on a 16-track master tape, this benefit show for the drug rehabilitation program Phoenix House was the group's most prominent American gig up to that time. It's a good representation of what the band sounded like in its second incarnation, when they were still establishing themselves outside of England…