Jethro Tull Official

20 Years of Jethro Tull is a 1988 boxed set which spans the first twenty years of Jethro Tull. It was issued as five LPs: Radio Archives, Rare Tracks, Flawed Gems, Other Sides of Tull, and The Essential Tull. It was simultaneously released as both a 3CD and a 3-cassette set, titled 20 Years of Jethro Tull: The Definitive Collection…

Each era of rock music has had its own craftily marketed phenomenon – it was the "live album" in the '70s, "unplugged" recordings in the '90s, and since the late '80s through the present day, the "tribute album." But the early 21st century saw another addition – veteran bands revisiting classic albums and performing them in their entirety. Jethro Tull's most enduring release is largely agreed to be 1971's classic Aqualung, and in late 2004 Ian Anderson, Martin Barre, and their latest Tull mates dusted off the album once more in front of a small audience for XM Radio's Then Again Live series. Since 33 years had passed between the original and the re-reading, the performances on Aqualung Live are slightly more restrained.

Minstrel in the Gallery was Tull's most artistically successful and elaborately produced album since Thick as a Brick and harkened back to that album with the inclusion of a 17-minute extended piece ("Baker Street Muse"). Although English folk elements abound, this is really a hard rock showcase on a par with – and perhaps even more aggressive than – anything on Aqualung. The title track is a superb showcase for the group, freely mixing folk melodies, lilting flute passages, and archaic, pre-Elizabethan feel, and the fiercest electric rock in the group's history – parts of it do recall phrases from A Passion Play, but all of it is more successful than anything on War Child.

J-Tull Dot Com (1999) is the 20th studio album by the British band Jethro Tull, and their latest studio album consisting of all-original material. It was released four years after their 1995 album Roots to Branches and continues in the same vein, marrying hard-rock and art-rock with Eastern music influences. This is the only album to feature both Andrew Giddings on keyboards and Jonathan Noyce on bass, although both would stay with the band until 2007, resulting in Jethro Tull's longest ever unchanged line-up. This line-up would record just one other album, The Jethro Tull Christmas Album.

Jethro Tull was very much a blues band on their debut album, vaguely reminiscent of the Graham Bond Organization only more cohesive, and with greater commercial sense. The revelations about the group's roots on This Was – which was recorded during the summer of 1968 – can be astonishing, even 30 years after the fact. Original lead guitarist Mick Abrahams contributed to the songwriting and the singing, and his presence as a serious bluesman is felt throughout, often for the better: "Some Day the Sun Won't Shine for You," an Ian Anderson original that could just as easily be credited to Big Bill Broonzy or Robert Johnson; "Cat's Squirrel," Abrahams' big showcase, where he ventures into Eric Clapton territory; and "It's Breaking Me Up," which also features some pretty hot guitar from Abrahams.

Released just as punk was taking hold on the public's imagination in America and making groups like Jethro Tull seem like dinosaurs on their way to extinction, Bursting Out became a seemingly perpetual denizen of the cutout bins for years afterward. However, it happened to be a good album, a more-than-decent capturing of a live Tull concert from Europe. The sound is remarkably good, given the group's arena rock status at the time, and the repertoire is a solid representation of the group's history, going all the way back to "A New Day Yesterday" from their second album and up through 1978's Heavy Horses, with stops along the way for "Bouree," "Aqualung," "Locomotive Breath," "Cross-Eyed Mary," and a compact reprise of Thick as a Brick. Some of these tracks work better than others – the tendency here is to play loud and hard, and sometimes that just doesn't translate well on record; seeing "Locomotive Breath" probably worked better than hearing it.