Jimi Hendrix

Out of several live Hendrix albums, The Jimi Hendrix Concerts stands as one of the very best. Taken from shows at Winterland, The Royal Albert Hall, and from various venues in New York, Berkeley, and San Diego, the set includes hits like "Fire," "Voodoo Chile," and "Hey Joe," as well as fine blues like "Red House," "Bleeding Heart," and "Hear My Train a Comin'."…

Compatible Stereo and Quadraphonic 1974 Album by Jimi Hendrix with Little Richard from 1964-5 recordings–on Everest "Archive of Folk & Jazz Music".

In celebration of the 50th anniversary of the release of the Jimi Hendrix Experience masterpiece Electric Ladyland, Experience Hendrix and Legacy Recordings present a special Deluxe Edition box set.
Spread across 3 CDs and 1 Blu-ray the set includes CD1: the original album, now newly remastered by Bernie Grundman from the original analog tapes.
CD2: Electric Ladyland: The Early Takes, which presents 20 never before heard demos and studio outtakes from this period in Hendrix’s career.
CD3: Jimi Hendrix Experience: Live At the Hollywood Bowl 9/14/68, part of Experience Hendrix’s Dagger Records official bootleg series…

Jimi Hendrix's headlining appearance at the Atlanta Pop Festival would be the largest U.S. audience he would ever play to. Most people assume it was Woodstock, which was a larger festival, but by the time Jimi took the stage at around 9 a.m. on Monday morning, the Woodstock crowd was down to about 25,000 stragglers. Estimated between 300,000 and 400,000, the actual crowd at Hendrix's Atlanta Pop performance was hard to pin down due to the fact that many of the festivalgoers turned up after dark, in an effort to stay out of the stifling heat of Atlanta in the summertime. The trio of Jimi, Mitch, and Billy Cox had been touring for about two and a half months solid when July 4 rolled around, and they sound really tight kicking off the show. "Fire" starts the set, and one immediately notices how differently Billy Cox plays it versus Noel Redding. "Spanish Castle Magic" has Jimi trying out some new solo ideas and he really starts feeling it on a very improvisational, extended "Red House." A rare live performance of "Room Full of Mirrors" is followed by an absolutely incredible version of "Hear My Train A Comin'".

Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights. Along with this new rhythm section, Hendrix took these shows as an opportunity to showcase much of the new material he had been working on…

Band of Gypsys was the only live recording authorized by Jimi Hendrix before his death. It was recorded and released in order to get Hendrix out from under a contractual obligation that had been hanging over his head for a couple years. Helping him out were longtime friends Billy Cox on bass and Buddy Miles on the drums because the Experience had broken up in June of 1969, following a show in Denver. This rhythm section was vastly different from the Experience. Buddy Miles was an earthy, funky drummer in direct contrast to the busy, jazzy leanings of Mitch Mitchell. Noel Redding was not really a bass player at all but a converted guitar player who was hired in large part because Hendrix liked his hair! These new surroundings pushed Hendrix to new creative heights. Along with this new rhythm section, Hendrix took these shows as an opportunity to showcase much of the new material he had been working on…

This was the first of the posthumous releases in the Jimi Hendrix catalog and probably the best as it collected most of the studio tracks that were either completed or very near completion before Hendrix died…

Thus Radio One is a godsend. It is a compilation of seventeen "live" studio workouts by the original Experience (with Noel Redding on bass and Mitch Mitchell on drums). These previously unissued blasts of prime Hendrixiana were originally taped between February and December of 1967 for broadcast by BBC Radio in England. You can ride shotgun with Hendrix as he rockets into inner space with "Stone Free," roughs up the Beatles' "Day Tripper" with acid-gangster guitar and wades into the primordial blues ooze of "Hoochie Koochie Man." Experienced and Axis were definitive statements of intention and accomplishment, Monterey the formal announcement of his arrival. But Radio One is essential Hendrix because it reveals the development of his art at its earliest and, in some ways, most crucial junctures.