Jimmy Page

Three generations of rock guitarists come together for It Might Get Loud, a 2009 documentary directed by Davis Guggenheim (An Inconvenient Truth). These are not just your garden-variety guitar gods: Jimmy Page, in his mid-'60s at the time of the film, founded Led Zeppelin, who dominated the 1970s following the breakup of the Beatles. As a member of U2, 48-year-old David Evans, better known as the Edge, created one of the most distinctive and influential sounds of the past quarter century…

No Introduction Necessary is a "super session" studio album. Initially it was conceived as debut album by Keith De Groot (aka Gerry Temple), a new singer discovered by producer Reg Tracey. It featured Albert Lee and Big Jim Sullivan on guitars, John Paul Jones on bass, Nicky Hopkins on keyboards, Chris Hughes on saxophone and Clem Cattini on drums. The sessions took place at Olympic Studios in London. Nine songs had been completed when neither Lee nor Sullivan were going to be able to take part in next booked session. Tracey called Jimmy Page (who had already worked on Beck's Bolero with Jones and Hopkins) for the last round of recordings. Page's participation likely took place in either September or December 1967 during breaks from touring with the Yardbirds.

The Black Crowes were dogged with comparisons to the Rolling Stones and the Faces throughout the first decade of their career, so it came as a mild surprise that they teamed with Led Zeppelin guitarist Jimmy Page in late 1999 for a couple of concerts. Zeppelin had a mystique and majesty about them that the Crowes never attempted to emulate. They were an earthy, bluesy rock band and while they found a number of different ways to rework their influences, they never tried the stately grandeur that was Zeppelin's second nature. So, some observers were curious to see how these two approaches worked. Well, it worked very, very well indeed. It shouldn't have come as a surprise that it was a good, comfortable fit since Page always demonstrated a true love of blues and early rock & roll, even on Led Zep's heaviest moments. What may be a surprise, at least to listeners that always dismissed the Black Crowes as revivalist hacks, is how supple and muscular the band sounds on Live at the Greek and how powerful vocalist Chris Robinson is. The double-disc album essentially replicates an entire concert from Page and the Crowes, one of the first before they set out on a full-length American tour in the summer of 2000. They stick to Led Zeppelin classics and old blues and R&B standards like "Woke up This Morning," "Sloppy Drunk," "Mellow Down Easy," and "Shake Your Money Maker," plus the Yardbirds' "Shape of Things to Come" and Fleetwood Mac's "Oh Well." No Crowes songs are here due to contractual reasons - the band left American/Columbia in 1999, and they were not allowed to recut any song they released on the label in the years immediately following their departure; but in a way, that only strengthens the album. By pounding out hard-driving blues-rock and classic Zeppelin tunes, the band is able to stretch out and reveal just what a capable, versatile band they are. The true sign of their abilities is that Page sounds looser and happier here than he has in years; he sounds like he's truly enjoying himself, a quality that is debatable on the Page & Plant records, no matter what their virtues are. Live at the Greek isn't a landmark release, and only hardcore Page, Black Crowes, and Zeppelin fans are likely to want this, no matter how vibrant and lucent these faithful interpretations are. But for those fans, they'll be quite pleased with how good, how strong Live at the Greek is.