Jimmy Scott

Singer Jimmy Scott (aka Little Jimmy Scott) had an unusual career conditioned by his physical limitations and record company machinations that sometimes prevented him from being heard, but he mounted a major comeback late in life. He suffered from a rare hereditary condition called Kallmann's Syndrome that prevented him from experiencing puberty, such that he stopped growing when he was less than five feet tall and his voice never changed from a boy soprano's. "Someone To Watch Over Me - The Definitive Jimmy Scott", spans more than 50 years of his remarkable career, and includes 28 selections, from his early '50s sides with the Decca, Regal and Savoy labels, to the late '60s / early '70s Atlantic albums. There's also collaborations with the Lionel Hampton Band, David Sanborn and Jools Holland, plus the previously unreleased 'I Get Sentimental Over Nothing', recorded during the Dream sessions in 1994.

The recording history of Little Jimmy Scott is peppered with long hiatuses from the studio. He was absent for a period of seven years from 1962 to 1969 and then for more than 15 years from 1975 to 1990. Bordering on singing in the range of a counter tenor, Scott brings a distinctive, immediately recognizable sound and sensitivity to material he sings. It is hard to find any other vocalist, other than Billie Holiday, who matches Scott's depth of emotion that he applies to the classic standards he favors. All the Way was recorded more than 40 years after Scott made his first album for Roost. Over those years, even with his long absences, he has been able to command the services of top of the line musicians. He is one of those rare vocalists that jazz musicians like to be on the stage or in the studio with. And this album is no exception, featuring an all-star lineup that includes Kenny Barron, Ron Carter, and Grady Tate on rhythm…

After over 30 years of legal wrangling, the inspirational genius of Jimmy Scott has been re-released by master producer Joel Dorn on an album that is as beautiful and strong today as it was when it was recorded for Ray Charles' Tangerine Records. The lyrical links of "Unchained Melody" are absolutely righteous and the strains of "Exodus" could lead a listener to cry the Red Sea or to part it. While "Motherless Child" aches with orphaned loneliness, "Our Day Will Come" is confidentially encouraging. For over 40 years, Scott's frankly feminine registers, delayed deliveries, easy shapings, and full-soul bellows have been a source of inspiration and style for everyone from Nancy Wilson to k.d. lang, and this collection carries that legendary legacy into the 21st century.

Very Truly Yours was released in 1955 and was the first album that Jimmy Scott recorded for the Savoy label. After spending the better part of a decade singing in ensembles, first with Lionel Hampton and then with the New Orleans bandleader Paul Gayten, Scott was poised to make a name for himself as a solo artist. These dozen songs, executed with a small jazz combo supporting him (including Charles Mingus on bass), find Scott in beautiful voice, confidently investing himself in well-chosen covers as well as some of his own great originals. From the opening number ("Imagination"), it's clear that you're hearing a rare and expressive voice.

Jimmy Scott - Falling In Love Is Wonderful (1962) {Rhino Handmade RHM2 7814 rel 2002}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 211 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 300 dpi (jpg) -> 34 Mb | 5% repair rar
© 1962, 2002 Rhino Handmade | RHM2 7814
Jazz / Vocal Jazz / Torch Songs / Modern Jazz Vocals

In 1962, flush with the success of Modern Sounds in Country and Western Music, Ray Charles signed one of his favorite singers, Little Jimmy Scott, to his Tangerine label with the purpose of supervising an album of ballads. He hired a pair of genial arrangers, Gerald Wilson and Marty Paich (both of whom had recently written charts for Charles), and requested them to aim for the soft strings and muted horns of classic Frank Sinatra performances recorded with ballad masters Axel Stordahl or Gordon Jenkins.

This 18 track collection features a plethora of sad songs performed by the finest artists from the Verve catalog including Billie Holiday, Ella Fitzgerald, Peggy Lee, Chet Baker, Lionel Hampton, Mel Torme and others.
The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.

Boogie-woogie pianist Jimmy Yancey and his wife, Mama Yancey, used to have musical gatherings at their Chicago home. The performances heard on this CD were recorded by a wire recorder three months before Yancey's death, and were released for the first time on this 1997 CD. The recording quality varies greatly, ranging from listenable to quite noisy, so this is not a release for general listeners. However, Jimmy Yancey collectors will definitely want it, because there are some unique moments heard along the way. First, an unknown pianist is featured on four numbers, playing very good boogie-woogie, accompanying Mama Yancey on "Make Me a Pallet on the Floor" and "Chicago in Mind." Jimmy Yancey, who was not feeling that well but still playing excellently, is featured on the next five numbers, although two of the three selections that also feature Mama Yancey and have Phil Kiely providing a third hand on the piano, playing the high notes, are a bit damaged. Walter Joplin (no relation) performs "Scott Joplin's New Rag." A jam session takes place with both of the Yanceys (they share the vocals on "Royal Garden Blues"), with clarinetist Buzz Reynolds and banjoist Dick Mushlitz featured on six mostly listenable numbers. In addition, Mushlitz switches to piano for a solo "Blues" recorded a day later, and there are repeats of three of the performances from a clearer but scratchier source. The joy of the music generally shines through on this historic release.

MelodicRock has announced another archival project - the double album “Voices From The Past”, composed of songs by Jimmy Waldo (Jimmy Waldo) and Steven Rosen (Steven Rosen), which were recorded in the 80s with the participation of many stars of the Los Angeles rock scene .