Joe Blues Butler

Various Artists - Let Me Tell You About The Blues - New York: The Evolution Of New York Blues (2009) {3 CD Box Set}
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© 2009 Fantastic Voyage / Future Noise Music Ltd. | FVTD030
Blues / Regional Blues

The blues recording industry began in New York City and for most of the 1920s, musicians travelled from all parts of the country to make their mark in the recording studio. Bessie Smith and Ma Rainey were amongst the most popular female singers but they were soon rivaled by the likes of Lonnie Johnson, Robert ‘Barbecue Bob’ Hicks, Texas Alexander and Mississippi John Hurt. Kansas Joe McCoy cut ‘When The Levee Breaks’, justly famous in its Led Zeppelin incarnation, in the city.

From all accounts, George Butler was indeed a "wild child." But he found time between the youthful shenanigans that inspired his mom to bestow his descriptive nickname to learn some harp basics at age 12.
George remained active throughout the 60's and from 1966 he performed mainly in Houston and New Orleans. He worked extensively with the late Cousin Joe Pleasant and Roosevelt Sykes in New Orleans and the great Sam "Lightnin'" Hopkins in Houston. George appears as a sideman on a number of sides with Lightnin' Hopkins, the best known of which being the album on the Jewel label entitled "Talking Some Sense". He was next signed to a contract by the Mercury label; in fact George observes, "The record companies always wanted me to sign an exclusive contract, and their people always met me with a paper their hand." George did an album for the Mercury label entitled "Keep On Doing What You're Doing"…

Various Artists - Let Me Tell You About The Blues - New Orleans: The Evolution Of New Orleans Blues (2011) {3 CD Box Set}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 585 Mb | MP3 @320 -> 425 Mb
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© 2011 Fantastic Voyage / Future Noise Music Ltd. | FVTD095
Blues / Regional Blues

Music was paramount in New Orleans, a town where they liked jazz with their blues. Regular blues musicians like Richard ‘Rabbit’ Brown got on disc when the record companies came to town. In general bluesmen and women came from out of town for their sessions, Texans like Lillian Glinn, Will Day, Oscar Woods and Blind Willie Johnson or Mississippians Bo Carter, the Mississippi Sheiks and Walter Jacobs, or out-of-towners like Little Brother Montgomery. New Orleans also saw the first recordings by fascinating Cajun musicians like Amédé Ardoin, Dewey Segura, Lawrence Walker and Cléoma Falcon, who put down their version of 12-bar blues.

Various Artists - Chicago Hit Factory: The Vee-Jay Story 1953-1966 (2014) {10CD Set Charly Records CHARLY 915 B}
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© 1953-66, 2014 Charly Records / Vee-Jay | CHARLY 915 B
Rhythm & Blues / Doo-Wop / Blues / Soul / Gospel / Jazz

Celebrating sixty years since the launch of one of the most successful independent record labels in US Popular music. Received wisdom would have us believe that before Motown, no black-owned record company had made a significant impact on the US mainstream. However, the actuality is something else entirely. Way back in the early 50s, long before Berry Gordy had written his first song, VEE-JAY RECORDS - a black, family owned and run, Chicago-based label - was establishing itself via a steady stream of Blues, R&B, DooWop and Gospel hits.