Far from being a casual collection of rejects, there is plenty of mellow gold from Joe Pass on this posthumously released second volume from what must have been a memorable gig at this Oakland, California night spot. The two-guitar quartet format was an optimum showcase for Pass' nimble, melodic bop electric guitar, for the greatly unsung fellow guitarist John Pisano offers inspired harmonic, rhythm or obligato support at all times, giving Pass an extra push from underneath. On "I Remember You" and "What Is This Thing Called Love?," Pisano even gives Pass some solo chases which generate a lot of steam, and the gentle semi-bossa nova treatment of Neal Hefti's "Repetition" also bring out the best in both. Bassist Monty Budwig (subbing for Jim Hughart) and drummer Colin Bailey are also in superb form throughout this can't-miss outing. The sound quality is OK, though hum can be heard in some quiet stretches.
Great Britain’s BGO Records found a couple of nearly forgotten gems to compile in this grand two-fer from guitarist Joe Pass’ solo catalog. This set contains his amazing 12 String Guitar album (the first 12 tracks) issued in 1963, with bonus tracks from a 1964 session included. Pass played an acoustic 12-string, of course, and was accompanied by John Pisano on rhythm guitar, bassist Charlie Haden, and drummer Larry Bunker. Each cut is a beautiful modern jazz reading of popular movie themes of the day, from “Lawrence of Arabia” and “How the West Was Won” to the more delicate “Love Theme of Tom Jones” (not the singer) and the taut rhythmic intensity and ultimate beauty of “Carnaval” from the film Black Orpheus, offering listeners solid evidence of his bossa and samba chops. Every track here is a winner…
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
João Gilberto, Luiz Bonfá, Stan Getz, Charlie Byrd, Joe Pass Wes Montgomery, Antonio Carlos Jobim and others.
The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.
Long-awaited reissue of an interesting and rare masterpiece by jazz guitar virtuoso Joe Pass, who took on jazz funk! This is the first release on Gwyn Records, a minor label in California, and features a very impressive lineup. Paul Humphrey and Earl Palmer on drums, Carol Kaye (label owner) and Ray Brown on bass, J.J. Johnson, Tom Scott, and Conte Candoli on horns, this is truly a historical session that brought together the top musicians of the West Coast at the time. From the cool funk of "Better Days" at the beginning of the session, almost the entire album was a storm of jazz funk. "Free Sample" by Joe Sample, "Burning Spear," with its impressive undulating beat, "Head Start," with its too-subtle bass line, and the boogie shuffle "Gotcha!"…