Joe Saldana

Boston, 1926. The '20s are roaring. Liquor is flowing, bullets are flying, and one man sets out to make his mark on the world. Prohibition has given rise to an endless network of underground distilleries, speakeasies, gangsters, and corrupt cops. Joe Coughlin, the youngest son of a prominent Boston police captain, has long since turned his back on his strict and proper upbringing. Now having graduated from a childhood of petty theft to a career in the pay of the city's most fearsome mobsters, Joe enjoys the spoils, thrills, and notoriety of being an outlaw. But life on the dark side carries a heavy price. In a time when ruthless men of ambition, armed with cash, illegal booze, and guns, battle for control, no one-neither family nor friend, enemy nor lover-can be trusted.

After saving Xandar from Ronan's wrath, the Guardians are now recognized as heroes. Now the team must help their leader Star Lord (Chris Pratt) uncover the truth behind his true heritage. Along the way, old foes turn to allies and betrayal is blooming. And the Guardians find that they are up against a devastating new menace who is out to rule the galaxy.

The full details of the soundtrack album for Marvel Studios’ Avengers: Infinity War have been revealed. The album features the film’s original music composed by Alan Silvestri (Back to the Future, Forrest Gump, Ready Player One, Predator, The Croods) who has previously scored the studios’ original 2012 Avengers movie, as well 2011’s Captain America: The First Avenger. The soundtrack will be released digitally tomorrow, April 27 in two different editions and physically on May 18 by Marvel Music and Hollywood Records.

Based on the award-winning comic by Joe Kelly and Ken Niimura, I Kill Giants tells the story of a girl named Barbara who struggles with life by escaping into a fantasy life of magic and monsters. The film adaptation stars Zoe Saldana and Madison Wolfe. The soundtrack features music from London Grammar and score by respected French composer Laurent Perez del Mar (The Red Turtle).

For over a century, American musicians were exposed to Cuban rhythms and melodies. In assimilating them they created a very infl uential, new Latin-American sound. This compendium shows how blues, rock and jazz were deeply affected by the golden age of the rumba, son, bolero and mambo styles, which were all in vogue in North America before the Cuban revolution — when people could still freely circulate between the two countries. The USA also left its mark on Cuban musicians of the diaspora, many of which are included here.