Joe Satriani

The most frightening thing about "Super Colossal" is that it starts off sounding horrifically similar to the chorus of Billy Squier's "The Stroke." Thankfully, this is remedied immediately, and Satch returns to familiar territory…

The Extremist is the fourth studio album by guitarist Joe Satriani, released on July 21, 1992 through Relativity Records The album is one of Satriani's most popular releases and his highest-charting to date, reaching No. 22 on the U.S. Billboard 200 and remaining on that chart for 28 weeks, as well as reaching the top 50 in six other countries. Three singles reached Billboard's Mainstream Rock chart: "Summer Song" at No. 5, "Friends" at No. 12 and "Cryin'" at No. 24. The Extremist was certified Gold on December 22, 1992 and received a nomination for Best Rock Instrumental Performance at the 1993 Grammy Awards; this being Satriani's fourth such nomination.

Joe Satriani may have retained the services of keyboardist Mike Keneally for Shockwave Supernova, the guitarist's 15th studio album – Keneally has been in Satch's orbit for a while now – but he chose to invite bassist Bryan Beller and drummer Marco Minnemann (from the inventive instrumental rock band the Aristocrats) to be his rhythm section for the bulk of the record. This slight shakeup reinvigorates Satriani, who already sounded spry on Unstoppable Momentum.

Dreaming #11 is something of an oddity: a mini-disc released in 1988 with three live tracks and one new studio track. The live tracks, taken from the Surfing with the Alien tour and featuring the powerful duo of Stuart Hamm on bass and Jonathan Mover on drums, showcase Satriani's outstanding talents in a live atmosphere; however, they've been heard before ("Ice Nine" was on Surfing with the Alien and "Memories" and "Hordes of Locusts" came from Not of This Earth)…

In 2013, over a quarter century removed from his first album, Joe Satriani uses his solo albums as a way to stretch himself, both to flaunt his skills and perhaps to move him into areas where he's not quite comfortable. Unstoppable Momentum, his first album since 2010's boogie- and prog-heavy Black Swans & Wormhole Wizards, finds the guitarist occasionally indulging himself in a bit of swing, letting him ride an elastic beat ("Three Sheets to the Wind" has a supremely delicate touch), and he also digs into a bit of a nasty ZZ Top groove on "Jumpin' In," a boogie he turns inside-out on its immediate successor "Jumpin' Out." This is a pretty good indication that this is the work of a virtuoso who enjoys playing with his surroundings, tweaking tempos and arrangements to coax out unexpected wrinkles…

Joe Satriani may have retained the services of keyboardist Mike Keneally for Shockwave Supernova, the guitarist's 15th studio album – Keneally has been in Satch's orbit for a while now – but he chose to invite bassist Bryan Beller and drummer Marco Minnemann (from the inventive instrumental rock band the Aristocrats) to be his rhythm section for the bulk of the record. This slight shakeup reinvigorates Satriani, who already sounded spry on Unstoppable Momentum.