This box set is a companion piece to the 8CD set From Sacred To Secular: A Soul Awakening, which traced the history of soul music from its earliest antecedents in 1927 right up to the first true soul records released in 1962. Here we continue the story from 1962 up to the end of the decade, covering a large portion of soul music’s Golden Age with 100 tracks by soul’s greatest 60s superstars (from Aretha Franklin to Stevie Wonder) and a whole host of “lesser” names whose contribution to the musical genre shouldn’t be overlooked. The CDs cover all of soul’s many styles from early doo-wop and R&B influenced music to the funk grooves which were to prove so popular in the 70s. Other harbingers of the coming decade can be found here in the first sweet-soul Philly sounds from the Delfonics and Intruders, early funk rock (Sly & The Family Stone) and Chicago’s renaissance via Curtis Mayfield and the Impressions.
The second song on Joe Ely's 2011 album Satisfied at Last is titled "Not That Much Has Changed," and it's hard not to think that sums up the album pretty well. That isn't an insult: Ely has been making records since 1972, he knows his craft well, and he's still one of the most consistently rewarding artists to come out of the Texas singer/songwriter community. His voice is in great shape on Satisfied at Last, he brings a genuine passion and soul to his performances in the studio, and his tales of outlaws and ramblers trying to make their way under the big sky of the Southwest are still resonant, intelligent, and down to earth. But while some Joe Ely albums find the man experimenting with his style or embracing a more ambitious concept, Satisfied at Last is 39 minutes of the man doing what he's been doing for a long time, and as a consequence, it's somewhat short on surprises…..
Not just another early Detroit Soul compilation. This is the cream of that transitional, pre-Hitsville era, when Detroit's labels, artists and producers were putting out popular, black dance music that they hoped might get noticed and sell enough to make them rich and famous. This is a CD to play over and over from start to finish. Every track a gem - no duds guaranteed!
In revisiting the strength and depth of Johnny Vincent’s original Ace imprint, and its subsidiaries Rex and Vin, what’s immediately obvious is the quality of the often freewheeling studio musicians who recorded for the label. With rampant saxes and rolling pianos, more than likely anchored by Earl Palmer’s tight drumming, the Ace ensembles hit the button every time with their rocky, earthy tracks.