On Grace, lauded American singer Lizz Wright summons her Southern heritage and the spirit of the earth to usher us into a nurturing space. Produced by acclaimed singer and songwriter Joe Henry, Grace is a stark reflection of Wright's sense of place and belonging that's deeply woven into the cultural fabric of America. Lizz offers one original, written for this record, plus inspiring interpretations of songs from Ray Charles, Bob Dylan & more.
On Grace, lauded American singer Lizz Wright summons her Southern heritage and the spirit of the earth to usher us into a nurturing space. Produced by acclaimed singer and songwriter Joe Henry, Grace is a stark reflection of Wright's sense of place and belonging that's deeply woven into the cultural fabric of America. Lizz offers one original, written for this record, plus inspiring interpretations of songs from Ray Charles, Bob Dylan & more.
The second song on Joe Ely's 2011 album Satisfied at Last is titled "Not That Much Has Changed," and it's hard not to think that sums up the album pretty well. That isn't an insult: Ely has been making records since 1972, he knows his craft well, and he's still one of the most consistently rewarding artists to come out of the Texas singer/songwriter community. His voice is in great shape on Satisfied at Last, he brings a genuine passion and soul to his performances in the studio, and his tales of outlaws and ramblers trying to make their way under the big sky of the Southwest are still resonant, intelligent, and down to earth. But while some Joe Ely albums find the man experimenting with his style or embracing a more ambitious concept, Satisfied at Last is 39 minutes of the man doing what he's been doing for a long time, and as a consequence, it's somewhat short on surprises…..
Charles Wright & the Watts 103rd Street Rhythm Band is a pioneering American soul and funk band. Formed in the early 1960s, they had the most visibility from 1967 to 1973 when the band had 9 singles reach Billboard's pop and/or rhythm and blues charts, such as "Do Your Thing" (#11 Pop, #12 R&B), "Till You Get Enough" (#12 R&B, #67 Pop), and "Love Land" (R&B #23, Pop #16). They are best known for their biggest hit on Warner Bros. Records, 1970's "Express Yourself" (#3 R&B, #12 Pop), a song that has been sampled by rap group N.W.A and others. The original line-up comprised of bandleader Charles Wright (vocals, guitar, piano), Al McKay (guitar), Gabe Flemings (piano, trumpet), Melvin Dunlap (bass), James Gadson (drums), John Rayford and Bill Cannon (both sax), and Ray Jackson (trombone). McKay left in 1969 to join Earth, Wind & Fire and was replaced by Benorce Blackmon.
The Pecan Tree is a collection of 11 compositions from master pianist/composer Joe Sample that were inspired by his Southeast Texas roots and influences. As a founding member of the pioneering quartet the Jazz Crusaders and as a solo artist, the pianist has created an impressive musical style based upon his early appreciation for jazz, gospel, soul, bebop, blues, Latin, and classical music. The Pecan Tree features many of those musical genres performed with such special guests as Lenny Castro and Paulinho da Costa on percussion, renowned R&B vocalist Howard Hewett, and newcomer Lizz Wright. Sample's Quintet kicks off the set with the title track, a Latin-tinged mid-tempo instrumental that features Sample's beautiful melodicism in harmony with the percussive mastery of Lenny Castro. The ensemble brings their creativity ingenuity to "Hot and Humid," a sweltering musical story of the region's weather condition.