For Marsalis Music’s second DVD release, label founder Branford Marsalis and his quartet have been captured in a complete performance of John Coltrane’s 1964 masterpiece A Love Supreme. This legendary suite, which tenor saxophonist Marsalis included on his label’s premier release, Footsteps of Our Fathers, was performed at Amsterdam’s Bimhuis during a European tour in March 2003.
Trailblazing UK jazz renegade, saxophonist Sean Khan delivers his scintillating new album ‘Supreme Love: a Journey Through Coltrane’ on BBE Music.
Released in 2008 as a strong jazz entry in the affordable Starbucks/Rhino Special Products Opus Collection series, "A Man Called Trane" is a worthwhile and accessible introduction to the powerfully moving music of saxophonist John Coltrane. Drawing upon the Blue Note, Atlantic, and Impulse catalogs, this ten-track sampler spans a timeline from September 1957 to December 1964, revisiting his live performances at the Village Vanguard and the Newport Jazz Festival, dipping into the albums Blue Train, Coltrane's Sound, Giant Steps, Coltrane Plays the Blues, and My Favorite Things, and reaching a logical conclusion with the profoundly beautiful opening movement of his extended prayer and magnum opus "A Love Supreme." ~ AllMusic
The ultimate compendium of a half century of the best music, now revised and updated. 1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most influential pop albums from 1955 through today. Carefully selected by a team of international critics and some of the best-known music reviewers and commentators, each album is a groundbreaking work seminal to the understanding and appreciation of music from the 1950s to the present. Included with each entry are production details and credits as well as reproductions of original album cover art. Perhaps most important of all, each album featured comes with an authoritative description of its importance and influence.
Condemned by many critics as John Coltrane's worst album, Om suffers only in comparison to the great works that preceded it. Also issued in 1965, Ascension had stunned the jazz world with the blunt force of its innovation - a swirling maelstrom of noise, it was an answer to the challenge that had been posed by Ornette Coleman's Free Jazz several years earlier. For all the sonic assault that Pharoah Sanders and Coltrane mustered up on Ascension, however, it contained some surprisingly clear solos and had the feel of a well-thought-out interplay between all of the musicians on the date, including classic quartet members Elvin Jones, Jimmy Garrison, and McCoy Tyner. Om, in contrast, seems more like a pure release of energy…
Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.
Live compilation for one of the 20th Century's most important & influential musicians. Recorded between 1961 & 1965 during several truly memorable European concerts made between 1961 & 1965. The classic performances feature Coltrane in company with McCoy Tyner, Jimmy Garrison & Elvin Jones. On three tracks the legendary Eric Dolphy joins the most famous quartet. Includes 'Naima', 'Impressions' & two contrasting & extended performances of the evergreen 'My Favorite Things', plus an awesome 48-minute performance of Coltrane's undisputed masterpiece, 'A Love Supreme'. Three & a half hours in length. Each disc comes in it's own wallet & come housed together in a compact box. The sets illustrated booklet includes detailed background notes & a re-analysis of these seminal recordings by leading jazz writer & historian Stan Britt, plus a full discography.
1965 was a furious time for John Coltrane. He had just come off the recording of the future landmark, A Love Supreme a year earlier and now was in mist of a series of quartet and ensemble sessions. By June of '65 Coltrane had recorded The Quartet Plays, OM, Kulu Se Mama, Selflessness and another landmark recording to rival A Love Supreme–Ascension. Ascension was a massive work that feature a who's who of future jazz legends (Freddie Hubbard, Pharoah Sanders, Archie Shepp, Art Davis, Jimmy Garrison, Elvin Jones, Marion Brown, Dewey Johnson and McCoy Tyner). It is another spiritual masterpiece that is difficult for the average Coltrane fan to get their head and ears around. It is a cavalcade of sound and emotion that is similar in scope to OM. Shortly after its release Coltrane set out on a European tour with his current quartet. This formed the basis for the Live In France release.