Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Insanely wonderful – and pretty darn rare! This album by John Patton was cut during the 60s, but never issued until the 80s – and even then, only briefly – yet it's easily one of our favorite records ever by this legendary Hammond player, thanks to lots of weird twists and turns! Although the record's led by Patton, it's more in the mad style of George Braith – who plays some wonderful sax on the session, in the manner of his excellent Laughing Soul album – a Prestige Records session cut with Patton and Grant Green around the same time.
This quintet date by guitarist Grant Green was one of the last of his Blue Note albums to be reissued on CD, and it is somewhat clear why. The musicians (Green, trumpeter Johnny Coles, tenor saxophonist Joe Henderson, organist John Patton, and drummer Ben Dixon) play well enough, but there are few inspiring moments. The material is not all that exciting, and the laid-back feeling sometimes leads to dull moments. Most of the fire is provided by Henderson, but such songs as "Am I Blue," "I Wanna Be Loved," and a nearly 14-minute version of "For All We Know" are a bit sleepy. Although certainly listenable enough, this is one of Grant Green's lesser efforts from the 1960s.
The Animals' Christmas is the sixth solo studio album and the first Christmas album by vocalist Art Garfunkel, released in December 1985 by Columbia Records. The album was written by Jimmy Webb and features vocals by Garfunkel, Amy Grant, and Wimbledon King's College Choir. The Animals' Christmas tells the story of the Nativity of Jesus from the perspective of the animals present. The album received positive reviews, with one writer calling it "one of the best Christmas albums of the '80s."
John Elefante born March 18, 1958 in Levittown, New York, and his family soon moved to Long Beach, California. Growing up, he sang and performed drums for his family band, The Brotherhood. As an artist, his credits include writing and singing lead vocals on three multi-platinum albums; as producer, his albums have earned numerous Dove Awards, 4 Grammy Awards (most recently in 2000) and 10 Grammy nominations. He has maintained a close working relationship with his brother, Dino, throughout his career.
The Mosaic Select treatment has deservedly been given to Big John Patton. There are those who argue that Patton's entire catalog should have been the subject of a Mosaic box set proper. There was easily enough material for five, if not six, CDs. There are five albums collected here. His first three, Along Came John, The Way I Feel, and Oh Baby!, were recorded in 1963, 1964, and 1965, respectively. The last two on this set are That Certain Feeling and Understanding, from 1968. Missing are Blue John, his proper second album from 1963 and unreleased until 1986, Let 'Em Roll, and Got a Good Thing Goin', released in 1965 and 1966, and his post-1968 work, Accent on the Blues, Memphis to New York Spirit (unreleased until 1996), and Boogaloo.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A really unusual album from the mighty Hammond giant John Patton – as the set features two tenor players in the group, both of them great! The tenor's no stranger to the sublime keyboard work of Patton – but here, the great one gets help from both Fred Jackson and Harold Vick – both of whom are at their early 60s soul jazz best, able to play with a hard edge, but also some surprisingly complicated moments too – which really fits into the spirit of Patton's overall groove!