John Hughes

John Hughes wrote and directed this quintessential 1980s high school drama featuring the hottest young stars of the decade. Trapped in a day-long Saturday detention in a prison-like school library are Claire, the princess (Molly Ringwald); Andrew, the jock (Emilio Estevez); John, the criminal (Judd Nelson); Brian, the brain (Anthony Michael Hall); and Allison, the basket case (Ally Sheedy). These five strangers begin the day with nothing in common, each bound to his/her place in the high school caste system. Yet the students bond together when faced with the villainous principal (Paul Gleason), and they realize that they have more in common than they may think, including a contempt for adult society. "When you grow up, your heart dies," Allison proclaims in one of the film's many scenes of soul-searching, and, judging from the adults depicted in the film, the teen audience may very well agree. Released in a decade overflowing with derivative teen films, The Breakfast Club has developed an almost cult-like status.

John Hughes continues the trend he began with the Home Alone series in Dennis the Menace, the Hughes-scripted film version of Hank Ketcham's long-running comic strip, cartoon show, and television comedy. The film opens as Dennis (Mason Gamble) is seen careening down a sidewalk in a beautiful and idealistic suburban town on his training-wheeled bike – cans on string clattering behind him, baseball cards flapping in the spokes of the wheel, his red wagon filled to the brim and his dog following him. "Hey! Mister Wilson!" he screams and slams his bike to a halt in front of his much put-upon neighbor, Mr. Wilson (Walter Matthau). Half of the film concerns vignettes of small-town Hank Ketcham life as Dennis' mom Alice (Lea Thompson) starts a new job, Dennis stays over at his friend Margaret's (Amy Sakasitz) house, and Mr. Wilson and his gentle, well-meaning wife, Martha (Joan Plowright), mind Dennis during the night of a big garden party. Through all this, Dennis continually gets into Mr. Wilson's hair.

How did John Hughes capture the growing pains of adolescence so perfectly? Why do his films resonate with those that grew up with them, and those that have just discovered them? Why did he leave? Armed with those and many other questions, a documentary was put into production.

All that Neal Page wants to do is to get home for Thanksgiving. His flight has been cancelled due to bad weather

All that Neal Page wants to do is to get home for Thanksgiving. His flight has been cancelled due to bad weather, so he decides on other means of transport.

As an idle, good-natured bachelor, Uncle Buck is the last person you would think of to watch the kids. However, during a family crisis, he is suddenly left in charge of his nephew and nieces.

They were five students with nothing in common, faced with spending a Saturday detention together in their high school library.