John Martyn Island Years

In 1990 John Martyn undertook a series of concerts at the Shaw Theatre, London, playing his comeback album, "The Apprentice". These concerts were filmed and released on video in 1990, but later deleted in 1995. Now for the first time, this concert is available as a DVD release.
Singer/songwriter/guitarist John Martyn was born Iain David McGeachy on September 11, 1948, in New Malden, Surrey, and raised in Glasgow by his grandmother. He began his innovative and expansive career at the age of 17 with a style influenced by American blues artists such as Robert Johnson and Skip James, the traditional music of his homeland, and the eclectic folk of Davey Graham (Graham remained an influence and idol of Martyn's throughout his career).

The Best of the Island Years is a 4-disc digest version of last year’s, definitive 18 disc set covering John Martyn’s classic years with Island Records between 1967 and 1987. All 56 tracks on the 4-disc edition capture Martyn at the height of his creativity on the label; all of them have been chosen from the out-takes, unreleased songs and rare live recordings that were first included on The Island Years 18CD Box Set. This collection features the best of the rarities from The Island Years and creates an exceptional collection of recordings for fans who have everything but the complete box set.

Import-only two CD compilation from the British Folk/Rock legend highlighting his critically successful years with Island Records. Along with Nick Drake, John Martyn was one of the most compelling British singer/songwriters to emerge during the 1970s. Martyn specialized in an acoustic, bluesy Folk sound, but he was also a restless experimentalist, running his guitar through all manner of effects processors and incorporating elements of Jazz, Pop, and ambient music. This double disc set is a survey of Martyn's work for Island Records, ranging from 1971's folky Bless The Weather through 1980's pop-oriented Grace And Danger. In between, listeners are treated to a comprehensive sampling of the artist's talents, from his sonically expansive guitar-scapes to his poetic, meticuloussense of songcraft. The music from Martyn's early-to-mid '70s period stands up the best, but the later work selected here is strong too. This is an excellent introduction back to front.

London Conversation is the first album by John Martyn released on Island Records in 1967. Largely self-penned, the album is much more folk oriented than the Blues/Jazz tinged later releases. The album reputedly cost £158 to record. The cover photo was taken on the roof of Island Records boss Chris Blackwell's Cromwell Road flat. In 1967, John Martyn became the first white solo act to sign with Island Records. While this is notable in the history of the label, his initial release, London Conversation, on the other hand, stands as a mere footnote. The record, though incorporating touches of blues and his characteristic guitar and vocal, doesn't really prepare you for what's to come from Martyn.

Another great concert from the successful WDR Rockpalast series, recorded live on March 17, 1978 at Audiomax, Hamburg (Germany) - plus bonus track "Look At That Girl" from "Die Aktuelle Stunde" (WDR) from October 12, 1989!- John Martyn's impassioned vocals and dazzling guitar make this an extraordinary concert performance

Following a short layoff, John Martyn returned with his 12th record (including two with wife Beverley and a best-of collection), Grace & Danger. The album, which finds Martyn fronting a tight quartet featuring Phil Collins on drums and backing vocals, paints a stark, painful portrait of Martyn and Beverley's crumbling marriage. Close friend and Island Records president Chris Blackwell reportedly found the songs so personal and unsettling that he delayed its release for a year. Martyn sets a somber feel right from the start with the seductive opener "Some People Are Crazy" and carries it, for the most part, throughout the record. The hushed, tormented blues of "Hurt in Your Heart," the beautiful "Sweet Little Mystery," and the heartbreaking closer "Our Love" are a few of the highlights. With some of his clearest, strongest singing in years and a collection of terse, honest originals, as well as a cover of the Slickers' reggae classic "Johnny Too Bad," Grace & Danger shows John Martyn at the top of his game.

The Apprentice was mostly completed a full two years before it was released. Martyn's record label, Island, rejected the tapes of the songs in 1988, even though artistically they were not too far removed from his previous release, Piece by Piece. In fact, this album turned out to be the more cohesive of the two. Eventually released by Permanent Records, it's by and large a well-crafted collection of songs. Its only weaknesses are the sometimes too-strong dependence on synthesizers and the song "Deny This Love," which is Martyn doing bad dance music (and featuring a truly horrible a cappella introduction). Otherwise, it's an enjoyable album.