John Rose

"Come On Over" is the 8th studio album by Olivia Newton-John, released on 29 February 1976. It peaked at #2 on the US Country albums chart, and #13 on the Billboard 200. The album's first track, a cover of Dolly Parton's "Jolene", was only released as a single in Japan, and it became a hit there, peaking at #11 on the Oricon Singles Chart. The album itself was also a success in the Japanese market, reaching the #2 position on the Oricon Albums Chart. In the US, the only single released from the album was the title song, written by Barry Gibb and Robin Gibb and originally featured on the Bee Gees' 1975 album "Main Course". It was a moderate pop hit, peaking at #23 on the US Billboard Hot 100, but did much better on the Country (#5) and Adult Contemporary (7th of 10 #1 singles) charts. In New Zealand, the title track reached #3. The album was certified Gold.

Multiple Grammy nominee John Di Martino–composer, arranger, pianist–has recorded many albums for Venus Records with his Romantic Jazz Trio. Noted for his versatility, John has performed and recorded with such notables as Kenny Burrell, James Moody, Joe Lovano, David "Fat Head" Newman, Pat Martino, Paquito D'Rivera and Houston Person. John has been described as a "shape-shifter", for his creativity across musical genres. Here the trio devotes an entire album to jazzing up music by the classical composer W.A. Mozart.

The Choir of St John's College, Oxford, directed by David Bannister, sing music associated with Christmas, together with youthful work by Imogen Holst and Benjamin Britten. Looking towards the sixtieth anniversary of Elizabeth Poston's Penguin Book of Carols (1965), initially undertaken with Ralph Vaughan Williams, the recording presents music associated with these two composers and the works they edited, alongside newer pieces exemplifying and revivifying the English carol tradition.

Broken Hearts and Dirty Windows: Songs of John Prine, Vol. 2, the follow up to the original 2010 tribute record. With tracks from Sturgill Simpson & Brandi Carlile revealed so far, the release adds to an esteemed legacy for Oh Boy Records, which is celebrating its 40th anniversary this year.

John Challenger has been Assistant Director of Music at Salisbury Cathedral since September 2012, where he accompanies the Cathedral's liturgy on the great Father Willis Organ. He received his musical education as a chorister at Hereford Cathedral under Dr Roy Massey and Geraint Bowen, and as an Organ Scholar at St George’s Chapel, Windsor, and St John’s College, Cambridge; at St John’s, under the directorship of Andrew Nethsingha, he played the organ for services, concerts, recordings, broadcasts, tours, and four critically-acclaimed recordings on the Chandos label.

Tchaikovsky’s ballet The Nutcracker, which has its origins in a novella by E. T. A. Hoffmann, contains some of the best-loved music ever written. But its composer wasn’t very happy with it, perhaps because the plot he was given to work with allowed him to present only a series of dances, losing the moral basis of Hoffman’s surprisingly modern tale, with its messages of inclusivity and what is now called ‘women’s agency’ – here it is the little girl who saves the prince. Hoffmann’s aspirational story continues well after the ballet ends, with the little girl, now grown up, marrying the prince, who is now king.

This is the fifth CD of new music written expressly for the all-star guitar trio of Bill Frisell, Julian Lage and Gyan Riley. Here Zorn draws inspiration from the enigmatic short stories of Argentine philosopher/writer Jorge Luis Borges. Like a collection of short stories, each composition is a miniature world in itself and touches on philosophy and mysticism as well as music. Blending folk, classical, jazz, bluegrass, world music and more, this is truly music of the 21st century—unclassifiable and unique.
Filled with telepathic interplay and surprising compositional twists and turns, the music is achingly beautiful and intensely evocative. Another gorgeous creation from downtown alchemist John Zorn and this incredible trio of musical masters!

A pleasing vocalist with a warm delivery reminiscent of Andy Williams or Tony Bennett, John Gary unfortunately came along just at the beginning of the British Invasion and never managed to make much of an impression on the adult vocal audience. This album have been released for RCA Victor label in October 1968.