In 1986, after almost 30 years on Columbia Records, Country music legend Johnny Cash released his first album on Mercury Records – Class Of ’55, in collaboration with fellow Sun Records alumni Roy Orbison, Jerry Lee Lewis and Carl Perkins. Seven years later, his last recording before signing with Rick Rubin’s American Recordings would be another collaboration, “The Wanderer”, with U2.
For decades, the only way to enjoy Johnny Cash live in your home was on his two arguably finest albums, both recorded at penitentiaries; At Folsom Prison and At San Quentin. Since they are established classics, the argument can be made there really wasn’t a need for more. That has changed as labels dig ever deeper to mine material from legends like Cash from their vaults. It has resulted in no less than two recent concert recordings from Cash; Man in Black:Live in Denmark 1971 released in early December last year and now this show, recorded in Czechoslovakia circa 1978. Add these to 2003’s A Concert Behind Prison Walls, Johnny Cash at Madison Square Garden (a 1969 date finally seeing the light of day in 2002), and 2011’s 53 track Bootleg Vol lll:Live Around the World. And that’s just for starters. Considering how much he performed, it’s likely more are on the way.
Compiled and designed in the manner of Love, Murder, and God, three thematically compiled Johnny Cash anthologies released to wide acclaim in the spring of 2000, Life brings together 18 songs from Cash's back catalog that in one way or another deal with the nuts and bolts of many people's existence – home, nation, work, family, surviving hard times, and celebrating good times. Of course, the nature of this theme is broader and not nearly as cleanly defined as the themes of the three previous sets, and a few of these songs might have fared better elsewhere – "Where Did We Go Right" and "You're the Nearest Thing to Heaven" would have fit nicely on Love, while "I Talk to Jesus Everyday" and "Lead Me Gently Home" would not feel out of place on God. But as a summation of the broad and idiosyncratic worldview of Johnny Cash, Life fares very well indeed; Cash could set a protest song like "The Ballad of Ira Hayes" or "Man in Black" next to the fiercely patriotic "Ragged Old Flag" and see no contradiction, and celebrate the importance of hard work ("Country Trash") while savoring the sweet prospect of punching out the boss ("Oney").
The great Johnny Cash performed live on Irish TV in 1993 with his entire revue, and this marvelous music is making its debut release on DVD. Cash performs his greatest hits with The Carter Family, son John Carter Cash, Kris Kristofferson, Sandy Kelly, and wife June Carter Cash…
Picking up where the previous set left off, The Man In Black: 1959-1962 collects all of the recordings Johnny Cash made for Columbia between '59 and '62; the only music that was left off are his historical albums, which Bear Family had already released on Come Along on Ride Train…
While Johnny Cash at Folsom Prison, the 1968 album that made Cash a household word, spent only two weeks at No. 1, this 1969 follow-up topped the charts for 20 weeks. As with Folsom, the San Quentin LP had to be edited due to space limitations. Now, 31 years after the fact, the show can at last be heard in true perspective. All the original performances hold up, including the album's hit single: Shel Silverstein's "A Boy Named Sue," presented unbleeped for the first time. Equally impressive are the eight restored tracks and unexpurgated between-song patter. Cash's opening renditions of "Big River" and "I Still Miss Someone" are bracing. So are four closing songs teaming Cash with his complete performing troupe (the Carter Family, Carl Perkins, and the Statler Brothers). Their gospel performances ("He Turned the Water into Wine," "The Old Account," and an early version of "Daddy Sang Bass") are electrifying, as is a concluding medley featuring everyone. Cash is presented here at his roaring, primal best.