Johnny Winter assembled Live in NYC '97 with assistance of his fan club, drawing all of the recordings from an April 1997 performance at the Bottom Line. Produced by Winter's longtime colleague Dick Shurman, the record doesn't follow the predictable pattern of a live album – instead of hits, it offers fan favorites and covers, which makes for a much more interesting listen. Throughout the album, Winter simply rips, tearing through all five songs with blistering energy. This is the live album hardcore fans have been wanting for years, and it doesn't fail to deliver on its promise.
Two cracking late-‘70s albums from Blues Rock guitarist Johnny Winter.
Uncle John Turner was born and raised in Port Arthur, Texas. He first played drums with Jerry LaCroix. Unc met the Winter brothers and performed with them a few times as a substitute. In 1968, Unc convinced Johnny to try a full blown blues band and sent for his friend Tommy Shannon to play bass. This group quickly got natonal recognition and began making records and shortly after that played Woodstock, with Edgar Winter as the fourth member. By late 1970, they had split up and Uncle John and Tommy moved to Austin and formed a band called Krackerjack, which had Stevie Ray Vaughan as one of the major guitarists, along with Jesse Taylor, John Stahely, and Robin Syler. But later in the seventies he was playing with the legendary Johnny Winter again, and this record is testament to the blues magick these two great bluesmen could produce when they put their mind to it.
Johnny Winter assembled Live in NYC '97 with assistance of his fan club, drawing all of the recordings from an April 1997 performance at the Bottom Line. Produced by Winter's longtime colleague Dick Shurman, the record doesn't follow the predictable pattern of a live album - instead of hits, it offers fan favorites and covers, which makes for a much more interesting listen. Throughout the album, Winter simply rips, tearing through all five songs with blistering energy. This is the live album hardcore fans have been wanting for years, and it doesn't fail to deliver on its promise.
One goal of the Woodstock festival was to highlight lesser-known acts along with the superstars. Johnny Winter was such an artist, yet there is no doubt his performance was on the level of a superstar. His recently released self-titled album highlighted Winter's prowess in the blues rock world, and his high energy performance at Woodstock elevated him to the level of guitar god.
John Dawson "Johnny" Winter III (born 23 February 1944) is an American blues guitarist, singer and producer.
Johnny and Edgar Winter were nurtured at an early age by their parents in their musical pursuits. Johnny Winter is known for his southern blues and rock and roll style, as well as his physical appearance. Both he and his brother were born with albinism.
With this concert, Johnny Winter brings to the Jazzaldia Festival in Spain the brand of intense, rootsy, virtuoso blues that has been his trademark since he began his career in the 1960's. For this how, Winter mixes blues and R&B classics like "Hideaway", "Miss Ann" and "Blackjack" with his own songs, as well as a virtuoso take on the well-loved Jimi Hendrix blues "Red House". and he closes the show wiith his famous, searing rendition of "Highway 61 Revisited".
Johnny Winter begins Raisin' Cain, his ninth studio album since signing to CBS Records in 1969 (his records are now issued on the Blue Sky subsidiary), with "The Crawl," a rock & roll dance tune, and he ends it with "Walkin' Slowly," which employs a Fats Domino-style New Orleans rhythm and the saxophone work of Tom Strohman. The two songs serve to reinforce Winter's allegiance to his roots in ‘50s rock, which define him as much as his blues work. In between these bookends, he presents his usual mixture of familiar cover songs and specially written (by others, that is) material, all of which serves, as usual, to showcase his fast-fingered lead guitar playing. His slide guitar dominates "Sittin' in the Jail House," for example, while much of the disc's second side is played in a Chicago blues style that recalls his recent efforts as producer to give Muddy Waters a late-career renaissance, notably the side-opening performance of Waters' "Rollin' and Tumblin'." A notable inclusion is a cover of Bob Dylan's "Like a Rolling Stone".
Johnny Winter is one of the most acclaimed guitarists of the past 40 years, and his ability to straddle both the classic rock and electric blues genres has earned him a rabid fan base. The 2-CD set The Johnny Winter Anthology is the first collection to include highlights from his entire career, from his start at Imperial Records, to his rise to worldwide fame on Columbia and Blue Sky, to his late-career renaissance at Alligator, Pointblank and Virgin. Along the way, fans and newcomers alike are treated to 35 standout performances, including "Rock And Roll, Hoochie Koo," "Still Alive And Well," and "Silver Train."