It's a statement of Johnny Cash's longevity that the eight albums collected here – each one a concept collection devoted to American historical themes – were considered worthy and viable commercial releases back when, and that most were very successful. This four-CD set assembles Ride This Train, Blood, Sweat and Tears, Bitter Tears, Ballads of the True West, Mean as Hell! (Johnny Cash Sings Ballads from the True West), America: A 200 Year Salute in Story and Song, From Sea to Shining Sea, and The Rambler, all in one place. They fit together as a body of work, and he put a lot of heart into all of these songs individually…
Over the course of five mesmerizing CDs, Unearthed shows us just how Johnny Cash's now-legendary handful of recordings for American Records came to be. Four discs feature previously unreleased tracks from the famed Rick Rubin-produced sessions. Through their inconsistencies and quirks (and, more often than not, brilliance), they shed light on how Cash's final records were shaped, edited, and produced. Here we get some creative pairings: Fiona Apple providing guest vocals on Cat Stevens' "Father & Son," and the late Joe Strummer duetting with Cash on Bob Marley's "Redemption Song."
Assembling a comprehensive multi-disc Johnny Cash collection is a difficult task for a variety of reasons, not the least of it being the sheer number of records Cash put out in the '60s and '70s. Counting duets, he had over 130 charting singles, which is far too much for the average box set, plus those singles don't necessarily tell the full story of Cash the recording artist, since he was a prolific album artist, as well. Then, there's the sheer variety of what he recorded – rockabilly, folk tunes, tales of gunslingers and Indians, scores of novelty numbers, gospel, Americana kitsch, train songs, pop, and straight-ahead country, he tried it all, giving it all his own unique stamp, distinguished by his booming voice and the distinctive two-step muted rhythm picked out by his guitarist, Luther Perkins.
The defining saxophonist of his generation, Johnny Hodges rose to prominence during the big-band era with what Duke Ellington described as 'a tone so beautiful it sometimes bought tears to the eyes'. Perhaps an understated member of Ellington's big band initially, Hodges' deft tone and seductive style soon affirmed him as one of The Duke's most valuable soloists and a vital player in his orchestra. A subdued yet commanding presence in the big band format, Hodges' assured mastery of the alto-sax and his subtle nuance has left him regarded as one of the very best musicians to have worked alongside Ellington. Hodges' career-defining moment came in 1928 when he joined Duke Ellington's orchestra, and from 1937 he led his own studio group drawn from members of the group, with whom he released tracks co-written with Ellington, including 'Jeep's Blues', 'Hodge Podge' and 'Confab With Rab', each composed to complement Hodges' own seductive style of play.
SoulMusic Records is very proud to present “Stir It Up – The Anthology, 1965-1979” a musically scintillating 2-CD set by soul/pop and reggae icon, Johnny Nash. Covering close to fifteen years of recordings, this first-of-its-kind collection includes all of Johnny’s US and UK Epic singles, prime album cuts, recordings from the mid-to-late ‘60s and several tracks from two albums (1977’s “(What A Wonderful World” and 1979’s “Let’s Go Dancing”) which have never been reissued on CD.