Jon Young Thropugh Native Eyes

This box set continues the chronological re-releasing of Neil Young’s Official Releases, remastered where analog tapes exist. Volume 4, released as a 4 LP box and 4 CD box. The ORS Vol 4 collects an eclectic set of decade-spanning sounds. Hawks & Doves (1980) revisits his folk roots and explores some of his most country-leaning offerings; the blistering Re•ac•tor (1981) showcases a stomping set of heavy, overdriven rock with Crazy Horse; and This Note’s for You (1988) casts Young as a big band leader, belting out intricately arranged blues. The Eldorado EP (1989), a 5 track mini-album, previously only released on CD in Australia and Japan, is full of feral distortion and earthy crunch featuring Young backed by The Restless (Chad Cromwell and Rick Rosas). It includes two thundering tracks — “Cocaine Eyes” and “Heavy Love”— not available on any other album, along with different versions of 3 tracks that appeared on Freedom later the same year.

I Am Now is the album that introduced the late West Indies singer, songwriter, guitarist, and arranger Jon Lucien to American audiences. Issued by RCA in 1970, Lucien's meld of flawlessly executed jazz, pop, and theatrical song remains highly original and sophisticated. The material on I Am Now is unlike anything else in his catalog. Of the 11 songs here, only "Find Yourself a Lover" was penned by Lucien. With its swirling strings, bossa guitars, smooth soul vocals, and lithe Caribbean rhythms, the song was a precursor to the kind of genre blending that is so prevalent in the 21st century.

How I Live Now is the big screen adaptation of the award-winning young adult novel by Meg Rosoff, directed by acclaimed Academy Award winning director Kevin McDonald (The Last King Of Scotland, Marley). The original soundtrack is scored by Jon Hopkins, composer, producer and longterm collaborator of Brian Eno and Coldplay. Featuring some of his darkest, most nihilistic work to date, the score is built from two contrasting elements - atonal, sub-terrestrial drones with a backbone of pounding rhythms, and sublimely pastoral acoustic piano. These two opposing musical forces guide the viewer through the film, by turns disturbing and beautifully meditative. The centrepiece of the score is the track The Hawk, a timeless and heartbreaking theme that recurs throughout the film.

How I Live Now is the big screen adaptation of the award-winning young adult novel by Meg Rosoff, directed by acclaimed Academy Award winning director Kevin McDonald (The Last King Of Scotland, Marley). The original soundtrack is scored by Jon Hopkins, composer, producer and longterm collaborator of Brian Eno and Coldplay. Featuring some of his darkest, most nihilistic work to date, the score is built from two contrasting elements - atonal, sub-terrestrial drones with a backbone of pounding rhythms, and sublimely pastoral acoustic piano. These two opposing musical forces guide the viewer through the film, by turns disturbing and beautifully meditative. The centrepiece of the score is the track The Hawk, a timeless and heartbreaking theme that recurs throughout the film.

It is no exaggeration to say that saxophonist Jon Gordon and pianist Bill Charlap are two of the finest musicians of their generation; both have a strong link to Phil Woods - Gordon studied with the alto sax master and has recorded with him, while Charlap began serving as Woods' regular pianist. The final connection is that Woods produced the sessions that resulted in this outstanding collection of duets. The two musicians have played together frequently since attending the same high school, and their familiarity with one another helps each of them in anticipating where the other is likely to go. Although Gordon is best known for his work on alto sax (he won the Thelonious Monk alto sax competition) he begins on soprano sax for a sterling interpretation of "Stardust"…

How I Live Now is the big screen adaptation of the award-winning young adult novel by Meg Rosoff, directed by acclaimed Academy Award winning director Kevin McDonald (The Last King Of Scotland, Marley). The original soundtrack is scored by Jon Hopkins, composer, producer and longterm collaborator of Brian Eno and Coldplay. Featuring some of his darkest, most nihilistic work to date, the score is built from two contrasting elements - atonal, sub-terrestrial drones with a backbone of pounding rhythms, and sublimely pastoral acoustic piano. These two opposing musical forces guide the viewer through the film, by turns disturbing and beautifully meditative. The centrepiece of the score is the track The Hawk, a timeless and heartbreaking theme that recurs throughout the film.