Jonas Kaufmann

Franz Liszt's songs remain the least-often-heard segment of his output, even as serious historians of 19th century music, including Alfred Brendel, have praised them. They are a bit uneven, and they are, for a composer who made his living with the grand gesture, uncharacteristically quiet. Various singers have taken them up, however, and this major release by Jonas Kaufmann, with the invaluable Helmut Deutsch on the piano, marks a kind of milestone. The songs are striking for how little they resemble Schumann or anything else written anywhere near the same time (until perhaps Hugo Wolf), and Kaufmann absolutely gets their originality.

The highlight of the 2013 Salzburg Festival in Giuseppe Verdi’s bicentennial year, Don Carlo is conducted by Antonio Pappano and stars Jonas Kaufmann in the title role. “With Antonio Pappano in the pit, Jonas Kaufmann and Anja Harteros brought to their interpretations of the leading role rapturous arcs of phrasing and tone that we have not heard for a generation. Verdi's music can weather mediocrity and still provide audiences with enjoyment … but here he was truly honoured as he would have wished.” (The Telegraph)

Rave reviews have garnished Jonas Kaufmann’s career the last few years. Listening to his first recital disc, due for release on 14 January 2008, the day of his first Alfredo at Covent Garden, it is easy to see why. With film-star looks to match he seems predestined for great things. He has the classy Prague Philharmonic backing him, conducted by one of the more sought after Italian opera conductors of the younger generation.

You might not have looked to Germany as the source of the next big opera star, but there you have it: tenor Jonas Kaufmann has reached the point where he can sing almost anything and coax beauty and even sensuousness out of it. Can big crossover albums be far off? He doesn't have quite the charisma of a Domingo, but the voice is at its breathtaking peak and seems to be well enough cared for that it could stay there a while.

Jonas Kaufmann is a German tenor who made his solo album debut in 2008 after establishing himself as an international opera superstar. Born on July 10, 1969, in Munich, Germany, he studied locally at the Musikhochschule and made his major performance debut nationally in Saarbrücken in 1994. In later years he would perform in some of the world's most prestigious theaters, including Covent Garden (London), Bastille Opera (Paris), La Scala (Milan), and Metropolitan Opera (New York).

Schubert's devastating song cycle, Die Schöne Mullerin is not solely for the singer, but exists as an equal duet between pianist and voice. Listeners will experience Jonas Kaufmann's voice from an entirely new perspective, as he sings romantic Lieder. Kaufmann's outstanding ability to communicate though the music with his versatile voice is heartwarming. Helmut Deutsch, a renowned collaborative pianist, brings his intelligence and sensitive artistry to bear in these heart-rending performances.

After the success of his stunning album ‘Otello’, revered tenor Jonas Kaufmann returns with the sensational new album ‘Selige Stunde’. ‘Selige Stunde’ is the first recital in a small series of recordings that Jonas has made during the Covid-19 crisis. This stunning album includes a varied and heart-felt selection of songs that cover the most prominent Lieder composers. All tracks are short and are often performed as encores. The theme of the lyrics centre around love, longing, peacefulness and farewell. Kaufmann is considered one of the greatest tenors of this generation. He has performed at the world’s most prestigious concert venues including the Royal Opera House in London and the Metropolitan Opera House in New York. Kaufmann has won numerous prestigious awards including Gramophone Awards and Echo Klassik Awards.

Starring Angela Gheorghiu as the celebrated French actress Adriana Lecouvreur and Jonas Kaufmann as her lover Maurizio, Count of Saxony, Cilea’s verismo drama explores celebrity, romance, jealousy, and death. The trio of sublime voices is completed by Russian mezzo-soprano Olga Borodina as Adriana’s jealous rival, the Princess de Bouillon. David McVicar’s hit production – the first performance of the opera at the Royal Opera House, Covent Garden for more than a century – presents the life of the French actress as a blurring of the distinction between fantasy and reality.

With Anna Caterina Antonacci and Jonas Kaufmann bringing rare erotic intensity to the drama of Carmen and Don Jose, this Royal Opera production is a darkly passionate reading of one of the world's favourite operas. Under the baton of Music Director Antonio Pappano, Bizet's irresistible score drives the tragedy forward - powering a landmark staging of a musical masterpiece.

On a sweltering night at London’s Royal Opera House in June 2017, Jonas Kaufmann made his debut performance in Verdi’s Otello - one of the most coveted and challenging roles in the tenor operatic repertoire. The Guardian commented on his performance: “Kaufmann thrills in a dark, expressionistic staging” and The Daily Mail concurred: “He is undoubtedly the most vocally and physically charismatic exponent of this role here since Domingo.” This new production by director Keith Warner presents a simultaneously modern and abstract approach to one of Verdi’s greatest operas.