Jonesy

Various Artists - One Way Glass: Dancefloor Prog, Brit Jazz and Funky Folk 1968-1975 (2017) {3CD Set RPMBX 537}
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© 1968-75, 2017 RPM Records | RPMBX 537
Rock / Psychedelic / Funk Rock / Jazz / Prog-Rock / Jazz Funk / British Folk Rock

ONE WAY GLASS is a very different kind of RPM compilation. Instead of the usual cross-section of Sixties collectables, this unique 3-CD set takes a fresh look at British music from the late 60s through to the mid-70s, with an eye on overlooked dancefloor-friendly finds. The rhythmic backbone of One Way Glass lies in Progressive Rock outfits who - every so often - would emulate their jazz heroes and record funky sides tucked away on albums or B-sides. Many of these tracks (Jonesy, Hardin & York) have been known to collectors of Funky Breaks for years.

Back in New York after three years spent gigging and recording in Europe, a mature and rejuvenated James Moody resumed the endless North American scuffle to get by as a contemporary jazz musician. Volume five in the Classics James Moody chronology presents 16 rare Mercury recordings made between October 1951 and June 1953, followed by eight Prestige titles from January and April, 1954. The first four tracks feature baritone saxophonist Cecil Payne; high points include the rowdy, bristling "Moody's Home" and "Wiggle Waggle," an R&B rocker that sounds like something right up out of the King record catalog. Beginning with the material recorded on May 21, 1952, Moody is heard leading a group largely composed of players who, like him, had worked in Dizzy Gillespie's big band. Two of these individuals – trumpeter Dave Burns and baritone saxophonist Numa "Pee Wee" Moore – show up regularly in the front line of Moody's excellent recording ensembles between 1952 and 1955.

Cave Of Clear Light is a 3CD Anthology that tells the story of the Underground years of the Pye record label and its Progressive imprint Dawn Records. Often unfairly seen as a poor relation to the Progressive and Underground releases by major labels such as Decca, Harvest, Vertigo, Island and United Artists, Pye Records also released many albums and singles by artists who were at the forefront of the Underground rock explosion of the late 1960 s and early 1970 s. Cave Of Clear Light re-appraises the labels output and features tracks by artists such as Donovan, Status Quo, Man, Atomic Rooster and Fruupp, also including many rare tracks by highly collectable artists such as Jonesy, David Mcwilliams, Stray, Paul Brett's Sage, Fire, Titus Groan, Demon Fuzz, Noir, Comus, Gravy Train, Writing On The Wall and many more…

Clifford Brown - The Complete Paris Sessions (1953) {3CD Set, Vogue 668 001 rel 1991}
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© 1953, 1991 Vogue | 668 001
Jazz / Bop / Hard Bop / Trumpet

While in Paris, Brown recorded a series of sides with mostly French rhythm sections for the Vogue label, several of which are reissued here. Half the cuts feature Brown as a featured soloist with a big band comprised of Hampton's bandmembers and led by alto saxophonist Gigi Gryce. Gryce's tunes are solid, but the date would be unmemorable without Brown, whose flair for spontaneous invention elevates the banality of the context.

“Incident At a Free Festival” is a tribute to the mid-afternoon slots at Deeply Vale, Bickershaw, Krumlin, Weeley, and Plumpton – early 70s festivals that don’t get the column inches afforded the Isle of Wight or Glastonbury Fayre, but which would have been rites of passage for thousands of kids. Bands lower down the bill would have been charged with waking up the gentle hippies and appealing to both the greasy bikers and the girls in knee-high boots who wanted to wiggle their hips. And the best way to do that was with volume, riffs and percussion.