Jordan Form

Doktor Faust remained a fragment at the time of the composer's death. Busoni died in 1924, unable to complete what he himself described as his ''state masterpiece'' - an opera to which he had a deep personal attachment. The missing scenes from the score - the appearance of Helen and Faust's closing monologue - were completed by his pupil, Philipp Jarnach, whom Busoni had become acquainted with during his period in exile in Zürich. In this form the opera was given its first performance in Dresden in 1925. Then in the 1980s the conductor Anthony Beaumont came across previously undiscovered sketches by Busoni and produced a new version of Doktor Faust, which was premiered in Bologna in 1985. The current recording uses the Jarnach score.

Clifford Jordan & The Magic Triangle - On Stage, Volume 2 (1975) {SteepleChase SCCD31092 rel 1992}
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© 1975, 1992 SteepleChase | SCCD31092
Jazz / Hard Bop / Post Bop / Saxophone

The second of three volumes recorded in 1975 featuring tenorist Clifford Jordan with Cedar Walton, Sam Jones, and Billy Higgins finds the quartet in top form. Walton's "Midnight Waltz" is the first of three extended performances, the upbeat midtempo waltz featuring a rollicking solo by its composer, while Jordan's suave playing is buoyed by Higgins' driving rhythm. Walton's "Bleecker Street Theme" sounds more like a set closer due to its barely one-minute length; then the focus turns to standards, including a spacious treatment of "I Should Care" that has Jordan taking quite a few liberties with the melody from the very beginning, followed by a glistening interpretation of "Stella by Starlight." The CD reissue adds Higgins' tribute "Alias Buster Williams," which opens with a drum solo and then transforms into an uptempo post-bop setting with a Latin undercurrent as the band is added.

Sheila Jordan - Lost And Found (1990) {Muse MCD5390}
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© 1990 Muse Records | MCD 5390
Jazz / Vocal Jazz / Post Bop / Jazz Piano Trio

Every Sheila Jordan recording is special, for the singer is quite unique and puts plenty of feeling and creativity into each performance. Joined by pianist Kenny Barron, bassist Harvie Swartz and drummer Ben Riley for this CD, Jordan uplifts and reinvents such standards as "The Very Thought of You," "Anthropology" and "I Concentrate on You," making each rendition seem fresh and new.