In his Missa Solemnis, Beethoven grasped heavenward hoping to touch the face of a God he could neither see nor hear, in a supreme effort to bolster his own inner convictions. That’s why you can view the piece from pretty much any faith-led or philosophical standpoint and the music still seems powerful and meaningful. Leonard Bernstein was a cogent and committed arbiter who succeeded superbly in conveying to all who would listen his own intellectually ferocious vision of what the piece truly signifies. Thus, DG’s Galleria reissue of his 1978 Concertgebouw performance is one of the greatest utterances of Bernstein’s Indian summer on the Yellow Label.
I have devoted this most recent recording to dance. The pieces that I perform here are all linked to the art of dance from different eras and different cultures.Throughout history and in most people's perception, dance has always been a source of entertainment and joy, but it can also represent more sombre occasions, with pomp and grandeur.The Chaconne, for example, has become both tragic and sublime over time and today it's rhythm has mellowed!Chopin's Mazurkas can be rustic and folkloric, haunting or lyrical, even dramatic. In short, dance can express diametric opposites and unite those opposites at the same time.That's why I also want to pay homage to Shiva's dance, for this god, the symbol of destruction, illusion and ignorance, destroys in order to awaken human beings and lead them to create a new world.Shiva's divine dance, Tandava Nritya, is regarded by Hinduism as the origin of the cycle of creation, preservation and devastation.Vagharshapat Dance is based upon a melody from 'Yerangi' found in "Six Dances for Piano" (1906) by the legendary Armenian composer Komitas (1869-1935).
Blind Faith's first and last album, more than 30 years old and counting, remains one of the jewels of the Eric Clapton, Steve Winwood, and Ginger Baker catalogs, despite the crash-and-burn history of the band itself, which scarcely lasted six months.
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Throughout a chequered career Arthur Brown has never been one to play by the rules and when the chart topping The Crazy World Of Arthur Brown split nobody knew what the band’s namesake would do next. When he resurfaced several years later it was with the proto-prog, avant-garde Kingdom Come, a band so way out that time is only just catching up. Eternal Messenger: An Anthology 1970-1973 collects the band’s three albums along with a rare jam session and a disc of radio sessions to make the perfect introduction to Arthur Brown’s crazy world…