Glenn Gould was born to comfortable middle-class parents in Toronto in 1932. A pampered only child, Gould demonstrated his remarkable talents quite early and in 1943 entered the Toronto Conservatory of Music, where he quickly came to the attention of its director, Sir Ernest MacMillan. On MacMillan's recommendation, Gould was taken on as a student by the Chilean-born pedagogue Alberto Guerrero, whose own style was partly the basis for Gould's own sensitive touch. Gould once described Guerrero's keyboard technique as not so much striking the keys as "pulling them down."
Yo-Yo Ma is considered the world's greatest living cello player, a professional musician since the age of 5 whose celebrity transcends the world of classical music.
Superstar violinist Anne Akiko Meyers’ imagination and ingenuity knows no bounds. Her idea to persuade leading living composer Morten Lauridsen to transform his choral masterpiece, O Magnum Mysterium, into a work for violin and choir is a masterstroke. Teaming up with conductor Grant Gershon – who first collaborated with Anne as chamber musicians over 40 years ago – and the Los Angeles Master Chorale, for whom Lauridsen was their first Composer in Residence, Anne rounds out this digital EP with three other arrangements for violin and chorus of ever-popular works by J. S. Bach. The result is gold dust for the holiday season.
Features 24 bit remastering and comes with a mini-description. Interesting session. Worth a listen. A versatile pianist and arranger, Dick Katz has been responsible for many stimulating and memorable recordings through the years, often as an important sideman and/or producer. He studied at the Peabody Institute, the Manhattan School of Music, and Juilliard, in addition to taking piano lessons from Teddy Wilson. In the 1950s, he picked up important experience as a member of the house rhythm section of the Café Bohemia, with the groups of Ben Webster and Kenny Dorham, the Oscar Pettiford big band, and later with Carmen McRae.
Dick Katz (March 13, 1924 – November 10, 2009) was an American jazz pianist and arranger. He freelanced throughout much of his career, and worked in a number of ensembles. He co-founded Milestone Records in 1966 with Orrin Keepnews. He studied at the Peabody Institute, the Manhattan School of Music, and Juilliard. He also took piano lessons from Teddy Wilson. In the 1950s, he joined the house rhythm section of the Cafe Bohemia, and worked in the groups of Ben Webster and Kenny Dorham, Oscar Pettiford, and, later, Carmen McRae. From 1954 to 1955, he was part of the J. J. Johnson/Kai Winding Quintet. He also worked in Orchestra USA and participated on Benny Carter's Further Definitions album, and worked on some of Helen Merrill's recordings. In the late 60s, he played with Roy Eldridge and Lee Konitz. In the 1990s, he worked as a pianist and arranger with the American Jazz Orchestra and Loren Schoenberg's big band.