Jul I'm Sorry

Bach im Fluss is a thematic collage of selected movements from cantatas and instrumental works compiled by Arthur Godel and Rudolf Lutz.

Raphael and Peter Wallfisch are simpler in their approach to the five folk-style pieces of Op. 102 than Maisky and Argerich, preferring to let the music speak for itself rather than consciously interpreting it. Certainly Argerich makes her presence felt more boldly than Peter Wallfisch. Even if occasionally over-bold, she is the winner in textural clarity, as also in the more natural-sounding reproduction of her piano by the Philips engineers. Of the two cellists, Raphael Wallfisch is grainier in tone, Maisky more assuagingly liquid.

Christoph Willibald Gluck was severely annoyed. He was now 60, and still had to deal with the same annoyances he had for decades: the turbulent life at the Paris Opera, for which he was always writing new stage works, the many rehearsals with petulant divas, the orchestra musicians, with whom Gluck was rarely satisfied. According to contemporary witnesses, he had to retire to the sickbed for a while due to exhaustion. Here he dreamt up a dream world: an opera radically freed of ballast, without ballet, without a large chorus, with only a few performers and a greatly reduced orchestra.

Hamiet Bluiett - Im/possible to Keep (1977) {2CD Set India Navigation IN1072CD rel 1996}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 742 Mb | MP3 @320 -> 346 Mb
Full Artwork @ 300 dpi (jpg) -> 24 Mb | 5% repair rar
© 1977, 1996 India Navigation | IN 1072 CD
Jazz / Post Bop / Avant-Garde Jazz / Saxophone

This double-CD, released for the first time in 1996, has the 37½-minute performance "Sobra Una Nube" that was originally released as the LP S.O.S., plus five other previously unreleased selections (two of which are quite lengthy) from the same engagement. Recorded at a small club during the now-legendary loft period in New York City, baritonist Hamiet Bluiett (who also plays some effective clarinet and flute) is featured with pianist Don Pullen (who was really coming into his own during this era), bassist Fred Hopkins and drummer/percussionist Don Moye.

Six years after their acclaimed disc devoted to Mendelssohn's works for cello and piano, Christian Poltera and Ronald Brautigam now tackle the two cello sonatas by Johannes Brahms, two central works in the repertoire, unquestionably the most important since those by Beethoven. The First Cello Sonata was composed between 1862 and 1865 when Brahms was in his thirties. He seemed intent on showcasing the lyricism of an instrument that is often compared to the human voice.

VA - Rolling Stone Rare Trax Vol. 10 - Version 1.0: Ohrwürmer im Original
EAC+LOG+CUE | FLAC: 317 MB | Full Artwork | 5% Recovery Info
Label/Cat#: None, Promo | Country/Year: Germany 1999
Genre: Rock, Pop, Blues | Style: Pop Rock, Classic Rock

RARE TRAX is a continued series of promotional samplers given away with the german edition of Rolling Stone magazine since the 1990's and has reached volume 80 already. Each version covers a special topic and presents lesser known songs and/or artists.

Near perfect quality Pro-shot Broadcast recording of Red Hot Chili Peppers, recorded live at the Rock IM Pott, at Veltins Arena, in Gelsenkirchen, Germany on July, 7th, 2012…