Julia 211

The conventional view of Niccolò Paganini's 24 Caprices puts them among the encores and etudes violinists use to hone their skills and show off their prowess. But Julia Fischer regards them primarily as expressive works that are as rich in lyricism and emotional color as they are in advanced techniques, and her 2010 Decca album shows her considered approach to the music. There's no doubt about Fischer's impressive abilities, which are apparent from hearing the first Caprice, and all the trickiest double- and triple-stops, bowing styles, and various means of articulation that are included in this fantastic work reveal her phenomenal gifts. But as amazing as Fischer's performance is for sheer technique, it is highly pleasurable because of her polished musicality and firm control of every nuance that is either overt or suggested in the music. The notoriously difficult Caprice No. 6, which Fischer plays con sordino, has a special ghostly quality that makes it much more ethereal and Romantic in character than an exercise in playing trills. Even the ever-popular Caprice No. 9, and that favorite of composers of variations, the Caprice No. 24, have a freshness and vitality that come directly from Fischer's genuine feelings, not merely her dazzling skills. Decca's sound is crisp and clean, so the full range of the violin's timbres and dynamics come through without studio boosting. Highly recommended.

This highly collectable boxed set assembles all the works which Mozart composed for violin and orchestra, performed by the much-acclaimed violinist Julia Fischer in impeccable readings. The set includes 3 SACDs along with an added DVD which includes previously unreleased video footage of the Mozart recording sessions. All of these Mozart recordings featuring the remarkable young violinist Julia Fischer have been favorably reviewed on this site and elsewhere.

In the early 1950s Dietrich Fischer-Dieskau began what would become a long and distinguished career as one of his generation’s foremost Bach interpreters. By 1981, when he and his wife Julia Varady made this recording for Philips, his declining vocal abilities apparently didn’t prevent him from continuing to deliver the kind of infectious, exuberant performances that established that reputation and endeared him to so many listeners.