Admirers of Karajan will probably own most or all of these symphony cycles from what was probably the pinnacle of the conductor's prolific career. However, if you are unfamiliar with Karajan's work, or well enough acquainted with it to desire further exploration, then this amazingly inexpensive anthology can be enthusiastically recommended. I purchased all of these sets when they came out in DG's previous mid-priced "Karajan Symphony Edition," and I can testify to their consistently oustanding quality, both as performances and as interpretations. As recordings, however, it must be admitted that the sound is of variable quality; sometimes admirably vivid and well balanced, but frequently tending toward harshness, even garishness–particularly in those which come from the early digital era (cf. Bruckner's symphonies 1-3). Too bad Universal didn't see fit to give this magnificent legacy a sonic facelift. Still, the performances are sufficiently worthy of your attention to warrant purchase regardless of these sonic limitations.
Sixty-five years since Pierre Fournier first recorded for Decca, DG is proud to celebrate the artistry of this most distinguished of cellists and his wealth of recordings for Deutsche Grammophon, Decca and Philips – presented here together for the very first time in this 25-CD box set!
[A legend in his lifetime for his interpretations of Beethoven, Herbert von Karajan recorded a large swathe of the composer’s oeuvre. On this specially priced 13-CD box set, Karajan's complete Beethoven repertoire recorded by Deutsche Grammophon is presented for the first time – comprising his final, digital recordings of the Symphonies, the Piano Concertos (with Christoph Eschenbach and Alexis Weissenberg), Violin Concerto (Anne-Sophie Mutter) and Triple Concerto (with Mutter, Yo Yo Ma and Mark Zeltser), the Missa Solemnis, Overtures, Egmont Music, Wellington’s Victory, and a host of rarities, including the Grosse Fuge (arranged for orchestra), restored to the catalog. /quote]
…After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic: she made her public debut on stage in 1976 at the Lucerne Festival, playing Mozart’s Violin Concerto No. 4 in D major. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic…
…After winning several prizes, she was exempted from school to dedicate herself to her art. When she was 13, conductor Herbert von Karajan invited her to play with the Berlin Philharmonic: she made her public debut on stage in 1976 at the Lucerne Festival, playing Mozart’s Violin Concerto No. 4 in D major. In 1977, she made her debut at the Salzburg Festival and with the English Chamber Orchestra under Daniel Barenboim. At 15, Mutter made her first recording of the Mozart Third and Fifth violin concerti with Karajan and the Berlin Philharmonic…
Rarely has this Symphony been shaped with such understanding and played with such selfless virtuosity as it was by Karajan and the Berlin Philharmonic in a legendary series of concerts in 1982. The performance is electric and intense, yet Karajan - ever the enigmatic blend of fire and ice - has the measure of the symphony's spiritual coolness… When the history of Twentieth Century music-making comes to be written this performance will be seen as one of its proudest landmarks. - Gramophone CD Guide
Eight great symphonic cycles from the master conductor of our age in one box. Includes CD booklet with tracklists. The edition contains some of Karajans finest interpretations of Complete Symphonic Cycles by Beethoven (1970s), Brahms, Bruckner, Mendelssohn, Schumann and Tchaikovsky.