Karen Mulhall

Karen Souza (born January 10, 1984) is an Argentinian jazz and bossa nova singer, songwriter, and producer. Souza began her career by providing vocals for producers of electronic music. Under pseudonyms she sang versions of hits songs from the 70s, 80s, and 90s, such as "Creep" by Radiohead and "Do You Really Want to Hurt Me" by Culture Club. Her version of "Creep" was used in the film The Zero Theorem (2013). In 2010, she performed at Blue Note Tokyo and signed a contract with JVC Victor in Japan. She has toured in Venezuela, Brazil, Mexico, China, Korea, Spain, and Italy.

Agathe Backer Grondahl is one of the most interesting figures of Norwegian Romanticism.

Karen Mason And All That Jazz! presents Karen's dazzling take on Kander & Ebb's songs, which have been lighting up Broadway since the 1960s.

[DETROIT, MI] July 12, 2024 – Five-time Grammy Award-winning gospel legend Karen Clark Sheard is ready to set the industry ablaze with her new upcoming album, Still Karen. This album is sure to quickly make major headways as the album brings a new spin on the nostalgic sounds of two of the singers most iconic albums: Finally Karen and Second Chance. It encompasses songs of worship, urban contemporary music, huge ballads and unmatched vocal stylings in ways listeners haven’t heard her present music before. There’s something truly for everyone in this body of music.

[DETROIT, MI] July 12, 2024 – Five-time Grammy Award-winning gospel legend Karen Clark Sheard is ready to set the industry ablaze with her new upcoming album, Still Karen. This album is sure to quickly make major headways as the album brings a new spin on the nostalgic sounds of two of the singers most iconic albums: Finally Karen and Second Chance. It encompasses songs of worship, urban contemporary music, huge ballads and unmatched vocal stylings in ways listeners haven’t heard her present music before. There’s something truly for everyone in this body of music.

Ivan Sokolov, born in Moscow in 1960, has made his mark both as composer and as pianist. His early compositions were avant-gardist, but he eventually rejected radicality in favour of a more traditional musical language, one with its roots in Tchaikovsky, Glazunov and Rachmaninov, flavoured, perhaps, with a hint of Shostakovich. Most of the works here were composed within the last few years and are couched in the unforced lyricism of his latter-day Romanticism.

Following their Linn debut, a "breathtaking album of songs by Gustav and Alma Mahler" (The Herald), Karen Cargill and Simon Lepper return to fin-de-siècle Europe for a recital of songs by the "crème de la crème" of late nineteenth-century French speaking composers. Entitled "Fleur de mon âme", the album embraces the sensual soundworld of Hahn, Debussy, Chausson, Jongen and Duparc.