Roscoe

Roscoe Mitchell - The Complete Remastered Recordings On Black Saint & Soul Note (2015) {9CD SET CAM Jazz BXS1036 rec 1977-1995}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.16 Gb | MP3 @320 -> 1.00 Gb
Full Artwork @ 600 dpi (png) -> 222 Mb | 5% repair rar
© 1977-95, 2015 CAM Jazz / Black Saint / Soul Note | BXS 1035
Jazz / Post Bop / Avant-Garde Jazz / Modern Creative / Progressive Jazz / Saxophone

THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. A deep philological work, beginning with the original recordings on original master tapes, patiently integrally remastered paying strict attention to sound quality.

Roscoe Mitchell With Ostravaska Banda Performing Distant Radio Transmission Also Nonaah Trio, And 8.8.88 ''Cutouts For Woodwind Quintet'' is only available on the CD version of this recording.

Roscoe Mitchell - Splatter (2020) {i dischi di angelica IDA040 rec 2017}
FLAC (tracks) - 16bit/44.1kHz - Official Digital Download (qobuz.com) -> 369 Mb | MP3 @320 -> 177 Mb
Full Artwork (jpg+pdf) -> 21 Mb | 5% repair rar
© 2017, 2020 i dischi di angelica | IDA040
Jazz / Contemporary Classical / Avant-Garde Jazz / Saxophone

Internationally renowned musician and composer Roscoe Mitchell, since his debut with Sound in 1966, has defined his style through an innovative approach towards composition in what is traditionally an improvised music genre, pre-empting the development of jazz and its relationship with contemporary music in the following decades. Splatter, drawn from two concerts held at the AngelicA festival in Bologna in 2017, presents the most recent developments of this research, with two examples from his cycle Conversations for large orchestra.

our original improvisations, taken from legendary AACM composer, improviser and saxophonist Roscoe Mitchell's "Conversations" album transcribed and performed by a twenty piece Bay Area orchestra, along with two orchestral improvisations and two duets with Roscoe Mitchell and flutist Wilfredo Terrazas.

In this recording, Roscoe Mitchell offers what amounts to a composer self-portrait in continually changing colours and textures, reflecting on his own history while looking toward the future. Two pieces including the title composition draw upon the full percussion instrumentarium of the Art Ensemble of Chicago a panorama of gongs, bells, rattles, sirens, hand drums and more. Recorded in 2015 on the occasion of the AACM’s 50th anniversary, Bells for the South Side is released half a century after the founding of the Art Ensemble - the Roscoe Mitchell Art Ensemble, as it was originally called.

Apart from Grieg, no Scandinavian composer has written for the piano with more individuality and insight than Nielsen. Right from the very outset of his Five Piano Pieces, Op. 3, there is no doubt that his is an individual voice. The first emerges from a Schumannesque innocence to speak with personal accents, but all five are strong on humour and character. Nielsen’s greatest piano music is clustered into a period of four years (1916-20) with his final thoughts in the medium, the Three Pieces, Op. 59 of 1928 being composed in the immediate proximity of his Clarinet Concerto, music that already breathes the air of other planets. With the exception of Leif Ove Andsnes, no pianist of international standing has championed it on record, and apart from John Ogdon and John McCabe it has been the almost exclusive preserve of Nordic artists. True, the American scholar Mina Miller, who edited the autographs for the Hansen edition, recorded a complete survey in 1995 – also for Hyperion. But although Schnabel was the dedicatee of the Suite, Op. 45, he never broke a lance for it on the international scene. The Suite is not only Nielsen’s greatest keyboard work but arguably the mightiest ever written in Scandinavia. Martin Roscoe is right inside this music and guides us through its marvels with great subtlety and authority.