ke Loach

Born in 1994 in Datong China, Ke studied at the Royal Academy of Music in London with Christopher Elton, Michael Dussek and Andrew West, graduating with a Masters with distinction (DipRAM) in 2017. She is currently pursuing her Doctoral study at Guildhall School of Music and Drama with Professor Joan Havill, Dr Alexander Soares and Rolf Hind.

Animal is the debut studio album by American pop singer Kesha. The album was released on January 1, 2010, by RCA Records. Kesha worked with a variety of producers and writers such as Lukasz Gottwald (Dr. Luke), Benny Blanco, David Gamson, Greg Kurstin, Max Martin, and others. Kesha had been recording demos for several years when one eventually ended up in the hands of Samantha Cox, senior director of writer/publisher relations at BMI. Cox passed along the demo and it ended up in the hands of Gottwald, who decided to have Kesha perform on the song "Right Round". Within two months, the song became a hit in multiple countries around the world. The event led to Kesha being sought after by many major labels, and she eventually signed a multi-album deal with RCA Records.

While Fauré's Requiem is a monument of French sacred music, Gounod's Messe de Clovis is much less well known. It was composed from 1891 onwards as a tribute to Clovis who, like Joan of Arc, had become an iconic figure after the defeat of France in the Franco-Prussian war of 1870. The two works share a reflective and intimate character that gives the impression of a return to the purity of Gregorian chant, although this does not detract from the jubilant character of Fauré's Requiem: "this warm, luxuriant sound leads to an elevation of the spirit", says Hervé Niquet. The work is recorded here in its 1893 version, in an orchestration that uses neither violins nor woodwind; a later version with full orchestra was published in July 1900. O salutaris by Louis Aubert (1877-1968) for soprano, violin, harp, organ and choir and L'Adagio for violin and organ by André Caplet (1878-1925) complete this programme, a co-production with the Palazzetto Bru Zane and performed with fervour by the Concert Spirituel.

While Fauré's Requiem is a monument of French sacred music, Gounod's Messe de Clovis is much less well known. It was composed from 1891 onwards as a tribute to Clovis who, like Joan of Arc, had become an iconic figure after the defeat of France in the Franco-Prussian war of 1870. The two works share a reflective and intimate character that gives the impression of a return to the purity of Gregorian chant, although this does not detract from the jubilant character of Fauré's Requiem: "this warm, luxuriant sound leads to an elevation of the spirit", says Hervé Niquet. The work is recorded here in its 1893 version, in an orchestration that uses neither violins nor woodwind; a later version with full orchestra was published in July 1900. O salutaris by Louis Aubert (1877-1968) for soprano, violin, harp, organ and choir and L'Adagio for violin and organ by André Caplet (1878-1925) complete this programme, a co-production with the Palazzetto Bru Zane and performed with fervour by the Concert Spirituel.

L'écrivain et le cinéaste confrontent leurs réflexions sur le rôle de l'art dans un contexte politique mondial et notamment comment celui-ci peut déstabiliser les systèmes de pouvoir en plus de les décrire. …