The Kenny Clarke-Francy Boland Big Band was one of the most noteworthy jazz big bands formed outside the United States.
It was formed in 1961, when, with the help of producer Gigi Campi, the US drummer Kenny Clarke and Belgian pianist and composer Francy Boland and ex-Ellington bassist Jimmy Woode brought together several jazz musicians of note. Although based in Europe, the band was truly multinational, also having several US musicians in the line-up.
It was disbanded in 1972, after having recorded more than 15 albums.
One of the great latin jazz lps of the 60s and featuring who else but Sabu Martinez. Latin Kaleidoscope is comprised of two suites, with the band swinging on well-written parts to a panoply of well-used percussion elements. Boland recruited drummers Kenny Clare, Al "Tootie" Heath" and Sabu Martinez to add their percussion talents. Gary McFarland’s six-part "Latin Kaleidoscope" is a joy to discover - much as it was to first hear his solo creations and offers much evidence of his gifts. Boland, who added his own touches to this suite, never takes a solo throughout and is occasionally heard on harpsichord; a sensitive touch to sensitively considered music. And excellent solos are taken by Sahib Shihab ("Duas Rosas"), Ronnie Scott ("Uma Fita de Tres Cores") and Aki Persson ("Othos Negros") Francy Boland’s "Cuban Fever" is like a musical postcard of Cuba: powerful, colorful, exciting…
One of the great latin jazz lps of the 60s and featuring who else but Sabu Martinez. Latin Kaleidoscope is comprised of two suites, with the band swinging on well-written parts to a panoply of well-used percussion elements. Boland recruited drummers Kenny Clare, Al "Tootie" Heath" and Sabu Martinez to add their percussion talents. Gary McFarland’s six-part "Latin Kaleidoscope" is a joy to discover - much as it was to first hear his solo creations and offers much evidence of his gifts. Boland, who added his own touches to this suite, never takes a solo throughout and is occasionally heard on harpsichord; a sensitive touch to sensitively considered music. And excellent solos are taken by Sahib Shihab ("Duas Rosas"), Ronnie Scott ("Uma Fita de Tres Cores") and Aki Persson ("Othos Negros") Francy Boland’s "Cuban Fever" is like a musical postcard of Cuba: powerful, colorful, exciting…
2008 release of this '60s recording by the American Jazz drummer Kenny Clarke and Belgian pianist Francy Boland, leading one of the finest Jazz ensembles ever assembled outside of the U.S. Had it not been for the post-war migration of many top American Jazz musicians to Europe, it is quite likely that the legendary Clarke-Boland Big Band might never have come into existence. As it happened, when Gigi Campi set up the first Big Band record date in Cologne in 1961, he was able to call upon such distinguished self-exiled Jazz stars as Benny Bailey (originally from Cleveland, Ohio), Sahib Shihab (Savannah, Georgia), Jimmy Woode (Boston, Massachusetts) and, of course, Kenny Clarke (Pittsburgh, Pennsylvania).
Kenneth Earl Burrell (born July 31, 1931) is an American jazz guitarist known for his work on numerous top jazz labels: Prestige, Blue Note, Verve, CTI, Muse, and Concord. His collaborations with Jimmy Smith were notable, and produced the 1965 Billboard Top Twenty hit Verve album Organ Grinder Swing…
Some friends think that Shihab the man owes the balance of his soul to his beautiful Danish wife. They may be right; for Eros is the very essence of what Shihab plays.Yet Eros is a god with many a face. A tale of tender mournings Shihab’s flute is telling in Mauve - a piece that translates its title into delicately changing colors of sound. In Uma Fita de Tres Cores he has his instrument wooing with the proud self-reliance of Latin grandezza. Calmly, softly, almost blandishly Shihab blows the solo flute in the Jimmy Woode composition My Kinda World. Serene and somewhat playful his own title Another Samba comes along - a most uncommon composition by the way: lasting for sixty bars as if growing independent out of itself, with solos that appear to be additional spinnings rather than improvised choruses; and yet; a perfect, self sustaining melody no element of which is superfluous…