Lizard, King Crimson's third studio album and second release of 1970, was, like its predecessor In the Wake of Poseidon, the product of a studio band. It was also the first Crimson album for which Robert Fripp provided all of the music. Remarkably self-contained & sounding somewhat atypical for a King Crimson album, even by the standards of a band that rarely sounded similar from album to album, Lizard is an often overlooked and under-appreciated gem from the band's early years. Certainly at the time of release, anyone expecting an extension of the soundscapes introduced & explored on the band's earlier two albums was in for a surprise.
Alternately trippy and thunderous, this 1974 LP (featuring Fripp, Bruford and Wetton) hit the U.S. charts almost a year to the day after Larks' Tongues in Aspic did. The Great Deceiver; Lament; The Night Watch; Trio this experimental gem managed to outdo the prog classic that preceded it; this reissue is full of alternate mixes and other special treats. The CD features a new stereo mix plus bonus tracks including the ultra-rare (performed once only) Guts on My Side . The DVD-Audio disc has the original and new mixes plus a 5.1 surround mix, 5.1 Lossless audio and stereo mixes, video footage of Easy Money and an improv from NY's Central Park ('73), audio extras including live cuts and radio edits and more!
Alongside Yes, Emerson Lake & Palmer and Genesis, King Crimson has been one of the most emblematic British progressive rock bands of all time. Always creatively led by Robert Fripp, the group has gone through numerous member changes and sound mutations. After several years of hard work, Music Brokers is proud to present The Many Faces Of King Crimson, an album where we will find hard to find works and lesser known projects from most of the members that at some point were part of the band.
Having released two albums in a nine month period between October 1981 and July 1982, “Three of a Perfect Pair” is the final part of the recorded trilogy begun with “Discipline” and “Beat”. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of ‘Sleepless’ and the album’s closer ‘Larks’ Tongues in Aspic III’ - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.