King Ghost

Steven Wilson fans have been primed for The Future Bites since he released To the Bone in 2017. That record, and the preceding 4½ EP, were deliberately "pop" responses to his three-album dalliance with prog – Raven That Refused to Sing, Hand. Cannot. Erase, and Grace for Drowning. In contrast to the above, The Future Bites is a slick exercise in Wilson's oft-articulated love of synth pop and electronic music. It's a loose concept set about the treachery that rampant consumerism foists upon the world, and the danger a technological society imposes on personal identity…

Pat Mastelotto & Bill Munyon (BPM&M) - XtraKcts & ArtifaKcts (2001) {Papa Bear Records} [King Crimson related]
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 408 Mb | MP3 @320 -> 138 Mb
Full Artwork @ 300 dpi (jpg) -> 24 Mb | 5% repair rar
© 2001 Papa Bear Records | PBCD5
Rock / Experimental / Art Rock / Prog Rock / Abstract

BPM&M, an experimental exploration that involves remixing an assortment of aural documents created throughout the years by legendary group King Crimson, it's associates, and other sources from beyond. With an assortment of computers, this literal dynamic duo have somehow managed to modify their laptops into musical electrocardiogram machines and have output a display of techno heartbeats previously unknown to mankind. The grand result is one aluminum and plastic-based compact disc containing sounds of nuclear beats and jungles of drone, compiled in measures of time that will have patrons of raves dancing on walls and exchanging the left sides of their brains with the right.

There is only one King Diamond, and for more than thirty years the great Dane has been dropping classic albums and putting on shows fans remember for the rest of their lives. Perhaps the only downside to having such a formidable catalogue is that there are just too many great songs to fit into a single set. However, you would be hard-pressed to find a fan who wouldn't want to hear 1987's seminal Abigail in its entirety, and Songs For The Dead Live captures this, twice, and in very different locales. Boasting eighteen songs per set, each of the two shows - Belgium's Graspop Metal Meeting in June 2016 and Philadelphia's Fillmore in November 2015 - feature a brace of classic King Diamond and Mercyful Fate tracks including "Welcome Home," "Halloween," and "Eye Of The Witch" before launching into Abigail. The performances of the all-star lineup of musicians, comprising of guitarists Andy LaRocque and Mike Wead, bassist Pontus Egberg and drummer Matt Thompson, are absolutely ferocious, hammering home every single moment.

“Out For Blood” is a technically complex, finely interpreted Melodic Power metal album. From start to finish, the eleven songs impress the listener with the explosive guitar work and hugely powerful choruses with great unforgetability factors, which not even the Scandinavian kings of metal were able to write in their heyday. It’s positive metal power in every note!