King Weed

“Since the release of the first album "If Deejay Was Your Trade" in 1994 UK-based Blood & Fire Records have established themselves a name as one of the best re-issue labels around. This record company rightfully deserves its fame as it pleases reggae fans all over the world with releases of mainly hard-to-get gems from the past presented with the best sound quality possible, excellent artwork and great sleeve notes. Blood & Fire's 23rd release "129 Beat Street ~ Ja-Man Special 1975-1978", which featured a selection of Dudley 'Manzie' Swaby's classic roots vocal productions of the time, gets its follow up with their 41st release called "In The Dub Zone”.

The cd comprises two -very hard to find in their original form- dub albums ("Ja-Man Dub" and "Kings Dub") produced by Dudley 'Manzie' Swaby in 1977 and 1980. Both are presented here in their entirety, along with 4 b-side mixes taken from 45 rpm discs originally issued by the producer on his Ja-man and Manzie imprints in the same period. During this period, the focus of Jamaican music changed; from a roots and culture orientation - outward looking, socially aware - to a more hedonistic, materialist approach. This latter direction, generally referred to as 'dancehall' was more inward-looking, dealing largely in themes that reflected the day-to-day concerns of dancehall patrons. This period of early 'dancehall' music was dominated by deejays; one of the most successful, before his murder in 1981, was General Echo; many of the rhythms for his first LP "Rocking & Swing" can be heard in dub mixes on "Kings Dub" -tracks 14-23 on this cd.

The 23 tracks offered here represent a high quality crossection of the Channel One sound of that period. Note that the second album "King's Dub" is a typical early eighties dub set, featuring the sound of syn drums, which was so popular in that period. The clear and crisp sound of Channel One was the main reason for Dudley 'Manzie' Swaby to record his works there. Next to original 'Manzie' riddims, the album features some dazzling versions of Jamaican classics. Here you will find two boom tunes across the 'Pretty Looks' riddim -Dub Zone and Dangerman Version, and Herb Cutter which explores the 'Love I Can Feel Riddim'. Rasta Feeling is the dub to Bim Sherman's awesome Mighty Ruler, itself being a cut to Leroy Sibbles' 'Tripe Girl' riddim. Horace Andy's Fever riddim is used for track 10, Bush Weed while Higher Ranking Dub features yet another Heptones' riddim, this time its the 'Love Me Always' riddim. The album closes with Downtown Rubadub, which is the dub to U Brown's tune So Long, the riddim being 'ooh Wee Baby'.

Musicians include the following 'best of the best' : drums Sly Dunbar, Leroy 'Horsemouth' Wallace, Mikey 'Boo' Richards and on tracks 1 and 2 Eric 'Fish' Clarke, bass Ranchie McClean, Robbie Shakespeare and on tracks 1 and 2 Errol 'Flabba' Holt, guitar Dougie Bryan, Eric 'Bingy Bunny' Lamont, keyboards Ansell Collins, Gladstone Anderson, Theophilius Beckford, horns section consists of Bobby Ellis, Herman Marquis, Headley Bennett, Tommy McCook, Don Drummond Jr., Calvin Cameron and percussionists on board are Noel 'Skully' Simms and Uziah 'Sticky' Thompson.
The tracks were originally mixed by Crucial Bunny, Maxie, Soljie Hamilton , Ernest Hookim, Ranking Barnabas and Dudley Swaby at Channel One, except for tracks 1 & 2 which were done by King Tubby at King Tubby's studio.
Superb set, which highlights one of Jamaica's little known yet highly creative labels run by Dudley 'Manzie' Swaby."

Although DAZ 3D models are well known for their quality and affordable pricing, what really sets DAZ 3D models apart from other 3D catalogs is the level of customization and inter-compatibility. For example, where else on the internet can you find a single website that allows you to purchase 3D human figures and 3D accessories AND know that they were ALL built to work with each other seamlessly?

Wagram Music Presents Reggae Vibes album original hits and the original artists genre Reggae.

Lavish, 28cm X 28cm Hardback Book from Classic Universal Artists Feature around 100 Pages of Essays, Beautiful Photographs and Memorabilia. Phil Lynott Will Forever Be Remembered as One of Rock Music's True Greats. This 73-track Collection Offers a Stunning Overview of his Work as the Leader of Thin Lizzy, Charting their Progress from Being Hard-living Rockers at the Centre of the Dublin Music Scene to Being Hard-living Rockers at the Very Centre of the Rock World. Their Material, at Once Unmistakable Thanks to Lynott's Driving Bass and Richly Individualistic Vocal Style, Remains Shot Through with a Beating Heart Full of Often Desperate Romanticism. Hear all the Hits, Selected Album Tracks and Rarities on this Exquisitely-packaged Collection. Deluxe Earbook Version

The music made by Quincy Jones during the second half 1950s was a stunning example of contemporary jazz during that pivotal decade for the form. Listening back today to these groundbreaking records delightfully illustrate how the dynamic musician, performer, composer and arranger first introduced his extraordinary skills to the world. After spending the first half of the decade working for other musicians, including a number of freelance commissions arranging songs for renowned artists such as Dinah Washington, Duke Ellington, and his close friend Ray Charles, Jones soon decided it was time for him to take the lead. The first album release to feature Quincy as a named artist was the 1955 release on Mercury Records 'Jazz Abroad' on which he featured alongside jazz drummer Roy Haynes. Next up was, 'That's How I feel About Jazz' featuring an all star cast including Art Farmer, Lucky Johnson & Phil Woods - following which he would record and release a further six albums before the end of the 1950s, all for Mercury. Quincy Jones first eight albums, all released during this period, are featured on this 4CD set in their entirety, in glorious re-mastered sound, making this package the most complete Quincy Jones 1950s collection available today.