King's last Shelter album was his most elaborately produced, with occasional string arrangements and female backups vocals, although these didn't really detract from the net result. Boasting perhaps heavier rock elements than his other Shelter efforts, it was characteristically divided between blues standards (by the likes of Willie Dixon and Elmore James), Leon Russell tunes, and more R&B/soul-inclined material by the likes of Ray Charles and Percy Mayfield.
Natalia M King chooses to totally immerse us for her first time going Blues. With 9 perfect tracks, the american woman who now lives in Arles, France proves us that talent knows no musical barrier. 'Woman Mind Of My Own' breathes true talent and pure class.
The King’s Consort, with many of our new, second-generation period instrumentalists, exhibits all the benefits of authentic timbre and texture – there is no need nowadays to make allowances for uneven tone or bad intonation. The New College Choir are spot-on, poignant in mourning, exultant in victory. The whole ensemble is recorded over a wide stereo spectrum which leaves every detail clearly audible. Emma Kirkby’s ‘Israelitish Woman’ enlivens even the most pedestrian numbers. Catherine Denley contrasts but blends in their five duets, and has great facility over an impressive range. Bowman is superb in ‘Father of Heav’n’. Jamie MacDougall rises to the virtuoso challenge of the warlike hero, and Michael George focuses with no less clarity as Simon. Any weaknesses in this, the first ever complete recording, are Handel’s.
B.B. King is one of America's few, long-standing musical treasures whose stature has grown to an unassailable, international level. Despite his 85 years, King continues to tour, perform and to grow in influence, casting a shadow that reaches far beyond the blues scene from whence he first came. His warm, down-home vocal style, his distinctive, talking blues guitar playing, and his songs that sing of love's joys and hardships Sweet Sixteen, How Blue Can You Get?, Help The Poor, The Thrill Is Gone and countless others are all indelibly imprinted elements in the modern musical heritage. Celebrating his 50th Anniversary signing to ABC-Paramount Records in 1962 we bring you this multi-format career retrospective. Leading the way with a slick 10 CD, 194 track collection chronicling his entire career from his first recordings in 1949 through to his most recent studio album.