“It is an amazing psychological drama” – that is how Kirill Petrenko, chief conductor of the Berliner Philharmoniker, describes Dmitri Shostakovich’s Eighth Symphony. The Ninth and Tenth also vividly reflect Shostakovich’s struggle with the Stalinist regime – and his self-assertion. Berliner Philharmoniker Recordings is now releasing the recordings of Symphonies 8–10 as the orchestra’s second major hardcover edition with Kirill Petrenko.
The Berliner Philharmoniker played under the baton of their new chief conductor Kirill Petrenko for the first time at the New Year’s Eve concert – presenting a vibrant facet to Petrenko’s repertoire. The program takes us on a musical journey to the USA: with dances from Bernstein’s West Side Story and Gershwin’s An American in Paris. Moreover, it features star soprano Diana Damrau in captivating musical songs.
Although they were separated due to a period of creative despair which interrupted his work, both the second Piano Concerto and the Moments Musicaux date from Rachmaninov’s early period, during which he was active primarily as a composer rather than a pianist. This explains the character of the second Piano Concerto, which partakes of both chamber music and symphony, despite the dazzling virtuosity of the solo piano part.
If one sought a musical manifestation of all the painful expe-riences and tragic failures of European history in the early 20th century, it would be impossible to overlook the symphonies of Gustav Mahler. Here, there is no harmony where discord is more fitting. Here, life cries out, with all the conflict and joy it proffers humanity. In their performances, Kirill Petrenko and the Bayerisches Staatsorchester have enabled these experiences to resonate in remarkable fashion. What better way to launch the Bayerische Staatsoper’s new label than with this outstanding live concert recording. - Nikolaus Bachler (General Manager, Bayerische Staatsoper)
Lulu, Alban Berg’s hauntingly mysterious opera in a new production by Dmitri Tcherniakov, has been one of the major events of the 2015 Bayerische Staatsoper season : an ideal setting for conductor Kirill Petrenko first-ever DVD recording ! A sensuous and impenetrable opera, Berg’s masterpiece depicts the burning and sometimes bestial intensity of human relationships through the figure of Lulu, the true femme fatale, bearer of an enigma that haunts us way beyond the end of the opera. Venenous, sibylline, deathly for who approaches her, the dangerous Lulu destroys the established and bourgeois order she evolves in, carrying away with her all certainty, just like the audacious and demanding musical language Berg invented to give form to this unreachable character.