A new chapter is written in the history of the successful cooperation between KLAUS SCHULZE and LISA GERRARD. Electronic soundscapes of ominous beauty shimmer with energy as the delicate voice of Lisa Gerrard weaves it's magic.
While other musicians mostly vary their repertoire with nuances, every Klaus Schulze performance is hard to predict. His former bandmate Edgar Froese (Tangerine Dream) once needed a nice image when describing his way of improvising on stage with electronic instruments, “This is like a parachute jump where one cannot be sure if the parachute will even open.” This was particularly true during the time of the unpredictable, analog synthesizers- but Klaus kept this same work method throughout the years without making any changes. And with this he is one of the few musicians who saved this art of improvising, all during the transition from the analog to the digital era…
Klaus Schulze is a founding member of Tangerine Dream and Ash Ra Tempel, two seminal bands in the evolution of synthesizer-based electronic music. While other musicians mostly vary their repertoire with nuances, every Klaus Schulze performance is hard to predict. His former bandmate Edgar Froese (Tangerine Dream) once needed a nice image when describing his way of improvising on stage with electronic instruments, "This is like a parachute jump where one cannot be sure if the parachute will even open." This was particularly true during the time of the unpredictable, analog synthesizers- but Klaus kept this same work method throughout the years without making any changes…
On August 4, 2007, Klaus Schulze celebrated his 60th birthday. Most electronica providers of 2007 and 2008 were not as old as Schulze, but then, Schulze is someone who - like Brian Eno and Kraftwerk - was using synthesizers before they were truly in vogue and before many of today's electronica artists were even born. Thankfully, Schulze hasn't run out of ideas after all these years, and on Farscape, he fulfills a longtime ambition: collaborating with Australian singer Lisa Gerrard (of Dead Can Dance fame). This two-CD set is best described as an extended piece that lasts 153 minutes; that piece, which is titled "Liquid Coincidence," is broken down into seven parts. Schulze handles the electronic programming on this 2008 release, while Gerrard provides all of the vocals - and all seven parts of "Liquid Coincidence" have a floating, airy, atmospheric quality…
After the extremely successful studio album Farscape and the live CD/DVD Rheingold, Schulze and Gerrard released yet another live CD revealing further highlights, entitled Dziękuję Bardzo (Polish for 'Many Thanks'). This 3-CD set not only contains a complete recording of the concert which took place on the 13th of November 2008 in the Bazylika Ojców Salezjanów in Warsaw, but also a complete concert recorded the day before in the Schiller's Theatre in Berlin.
The Warsaw concert in particular was a big emotional moment and a triumphant return for Klaus Schulze: 25 years after his last concerts in Poland (which can be heard on the double CD Dziekuje Poland Live 83) he returned to the place where he can count on his most loyal fans. As always with Klaus Schulze, exclusive new pieces were played at both concerts…
Klaus Schulze and Australian singer Lisa Gerrard (formerly of Dead Can Dance) proved to be an appealing combination on their studio recording Farscape, and they also work well together on Rheingold: Live at the Loreley. This was recorded at the Night Of Prog Festival at Loreley in July of 2008. We get over 131 minutes of music.
A new chapter is written in the history of the successful cooperation between KLAUS SCHULZE and LISA GERRARD. Electronic soundscapes of ominous beauty shimmer with energy as the delicate voice of Lisa Gerrard weaves it's magic.
In September 2009, Lisa Gerrard and Klaus Schulze performed another tour in six European cities - Warsaw, Berlin, Amsterdam, Essen, Paris, and Brussels. This tour coincided with the release of Come Quietly, a joint project between Gerrard and Schulze that was released during the tour.
About ‘Deus Arrakis‘ Klaus Schulze says: „On the one hand this album was created as spontaniously as all my albums before, on the other hand it has a special history: when I produced my eleventh album ‘Dune‘ in 1979 I already knew the ‘Dune‘ triology by Frank Herbert inside out like other people knew their ‘Lord of the Rings‘. I was totally fascinated by this monumental story of the desert planet und I read the books over and over again. I asked Arthur (Brown) and Wolfgang (Tiepold) to come to my studio and started creating my own musical ‘Dune‘…“