Popularity seems to rest as much on chance as on merit, for it is difficult to understand why the Turandot Suite has never become a popular repertory piece. It has all the qualities of melodic appeal (its fifth movement quotes Greensleeves), resourceful invention and brilliant orchestral colour that should ensure its popularity. The two Studies, the Sarabande and Cortège, written in preparation for his opera, Doktor Faust, remain the composer’s masterpiece, highly searching and imaginative music that can claim to be profound, as, indeed, can the Berceuse élégiaque. Both performances and recording are very good, and this disc serves as an admirable and inexpensive introduction to a fascinating and underrated master.
David Atherton made a fine reputation for himself as a contemporary music conductor back in his salad days with the London Sinfonietta, nowhere more so than in his three-disc (now two-CD) set of music by Kurt Weill. He certainly hasn’t lost his magic touch in the intervening years. These performances of the two symphonies sweep the (not very full) board. Swift, lean, incisive, and always exciting, Atherton reveals all of this music’s anger, irony, and bittersweet lyricism without a trace of histrionics or self-indulgence. Indeed, a certain coolness is part of the point too. And so in the marvelous Second Symphony, Atherton catches the neo-classical temper of its outer movements with impeccable wit and grace, making the passionate intensity of the magnificent central slow movement all the more shocking as a result.
The best way to describe this band is a mixture of ideas from electronic and experimental music fused with progressive metal. An all instrumental band, Kong are able to create various sounds and moods, not unlike some post rock. Kong often has segments where the band is playing entirely separate from one another, yet the sound works. Eclectic is a word that comes to mind when listening to this band.
They started out in 1988 as a side project for Amsterdam-based musicians Dirk DeVries (guitar, samples, programming), Aldo Sprenger (guitar), Mark Drillich (bass, programming), and Rob Smits (drums)…
Official Release #107. Uncle Meat gets the deluxe treatment in this three CD Project/Object Audio Documentary. Included is the original 1969 vinyl mix (restored, remastered and available digitally for the first time), an original sequence that includes unique source material and bonus vault tracks mostly compiled from the recording sessions at Apostolic Studios in NYC between 1967 and 1969.
The Soundboard Series focuses on the last three decades of concerts around the world. While some of the shows were previously available as rare and limited fan club editions, others are concerts from the artist archive, mixed and mastered for the occasion. In both cases, great care is spent to achieve the best audio quality. “Live In Hong Kong 2001” features Deep Purple on top of their game, in the midst of their Asia Tour in 2001. On March 20st, they took to the stage in Hong Kong’s Coliseum, the city’s largest concert hall at the time. Here, we see Purple as a raw and immediate live-act, without background singers, guest vocals, added string quartets or any other bells and whistles. It’s rock’n’roll in its purest form –and we like it.