Korg Vst V2.2

The first workstation synthesizer, released in 1988, which defined the sound of the late ’80s and early ’90s: M1. Along with its innovative "workstation" concept, the M1's "AI" (Advanced Integrated) synthesis system used PCM waveforms and digital effects to deliver fully complete program and combination sounds.

Released in 1978, the analog synthesizer MS-20 is undoubtedly one of the most famous and respected synthesizers of all time. This massive bestseller by KORG, with its fat and sticky sound, powerful self-oscillating filter, and freely adjustable patch section, is still popular with professionals and amateurs today.

Brought to the market in 1981, the analog synthesizer Polysix is one of KORG’s most famous synthesizers. At that time, popular synthesizers had a polyphony of five voices. This Polysix. with six polyphonic voices (one more voice), was named directly after the determination and pride of the engineers. Sound memory, built-in effects such as chorus, phaser, and ensemble are commonplace functionalities these days, but at the time, they were considered advanced specifications, and by combining them to deliver its unique fat sound the Polysix quickly became a worldwide bestseller.

Released in 1990, the WAVESTATION is a synthesizer with an advanced vector synthesis system that could create new sounds by combining and connecting multiple waveforms. Using unique features such as using a joystick to mix and morph four oscillators, a wave sequence function that could arrange waveforms in sequences to form rhythm or melody sequences patterns, it continues to be a legendary and irreplaceable instrument to this day,

Released in 1990, the WAVESTATION is a synthesizer with an advanced vector synthesis system that could create new sounds by combining and connecting multiple waveforms. Using unique features such as using a joystick to mix and morph four oscillators, a wave sequence function that could arrange waveforms in sequences to form rhythm or melody sequences patterns, it continues to be a legendary and irreplaceable instrument to this day,

The analog synthesizer Mono/Poly, which was launched at the same time as the Polysix in 1981, combined Korg’s analog synthesizers made until then into one ground-breaking synthesizer. Although this was a monophonic synthesizer with a thick sound made up of four voices, it had a groundbreaking specification of also being able to be used as a four-voice polyphonic synthesizer, which was extremely valuable as polyphonic synths were then expensive. It was famous for having the versatility of sound creation using 4 VCO (Voltage Controlled Oscillators) combined with Polysix, such as oscillator sync and cross-modulation.

The analog synthesizer Mono/Poly, which was launched at the same time as the Polysix in 1981, combined Korg’s analog synthesizers made until then into one ground-breaking synthesizer. Although this was a monophonic synthesizer with a thick sound made up of four voices, it had a groundbreaking specification of also being able to be used as a four-voice polyphonic synthesizer, which was extremely valuable as polyphonic synths were then expensive. It was famous for having the versatility of sound creation using 4 VCO (Voltage Controlled Oscillators) combined with Polysix, such as oscillator sync and cross-modulation.

The analog synthesizer Mono/Poly, which was launched at the same time as the Polysix in 1981, combined Korg’s analog synthesizers made until then into one ground-breaking synthesizer. Although this was a monophonic synthesizer with a thick sound made up of four voices, it had a groundbreaking specification of also being able to be used as a four-voice polyphonic synthesizer, which was extremely valuable as polyphonic synths were then expensive. It was famous for having the versatility of sound creation using 4 VCO (Voltage Controlled Oscillators) combined with Polysix, such as oscillator sync and cross-modulation.

The analog synthesizer Mono/Poly, which was launched at the same time as the Polysix in 1981, combined Korg’s analog synthesizers made until then into one ground-breaking synthesizer. Although this was a monophonic synthesizer with a thick sound made up of four voices, it had a groundbreaking specification of also being able to be used as a four-voice polyphonic synthesizer, which was extremely valuable as polyphonic synths were then expensive. It was famous for having the versatility of sound creation using 4 VCO (Voltage Controlled Oscillators) combined with Polysix, such as oscillator sync and cross-modulation.

The M1, released in 1988, is an epoch-making synthesizer that defined the music scene of the late 80’s and the 90s. Its synthesis system with digital multi-effects, based on high-quality PCM, featured a unique sound which was epoch-defining. In addition, as the original music workstation “all-in-one unit”, it came with an 8-track sequencer, drastically changing the composing and production style of musicians everywhere.