Korn The Nothing

2009 release from the American Alt-Rock band. Features the single 'I WIll Not Bow'. Breaking Benjamin has toured with the cream of the Rock crop: Nickelback, Korn, Evanescence, Three Days Grace, Seether and Three Doors Down.

“MTV Rocks”, a new album from UMOD set to be released on January 19th, brings rock fans a collection of 54 of the biggest Pop Punk hits, from iconic artists and bands like Blink 182, Good Charlotte, Fall Out Boy, My Chemical Romance, Crazy Town, Evanescence, Finch, Ash, 3 Doors Down, Seether and more.

Collection of 30 CDs on various styles (Love, Movies, R&B, Country, World and Rock). Although you may find the collection a bit outdated since the release is from 2001, it contains some great songs… so enjoy.

Paul Bley sits at a bank of keyboards here, giving forth a passage on acoustic, then some chirping synthesizer, then some electric piano, and so forth.

Sweden’s OPETH are preparing to release their most important record to date with »In Cauda Venenum«. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as OPETH’s lucky thirteenth. Sporting a clever Travis Smith cover – replete with inside jokes and a nod to KING DIAMOND – a masterful Park Studios (The Hellacopters, Graveyard) production, OPETH’s usual five-star musicianship, and lyrics entirely in Swedish, »In Cauda Venenum« raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of »In Cauda Venenum« shouldn’t distract from the quality presented in OPETH’s new songs, the lot of which sneak up and take control after repeated listens. »In Cauda Venenum« is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just OPETH being OPETH.