Except for John Williams’s theme from Schindler’s List , the compositions on violinist Alexander Gilman’s program with Perry So conducting the Cape Town Philharmonic Orchestra all suffered a certain amount of neglect after their first performances and recordings. Isaac Stern (and Louis Kaufman and Robert Gerle) brought Samuel Barber’s concerto to the attention of listeners, and now it has just about entered the repertoire, and students adopt it for competitions. Alexander Gilman produces a glowing tone from his Giovanni Battista Guadagnini violin, but the engineers don’t set him so far forward as Columbia’s did Isaac Stern; if Gilman plays with less ruddy energy, he more than compensates for it in subtlety and refinement.
Erich Wolfgang Korngold (1897-1957) wrote an undeniably beautiful violin concerto near the end of World War II, despite its conservative language and intemperately debonair veneer. He had left his native Austria in 1934 for the United States and taken up permanent residence in California, where he launched a successful career writing film scores. The concerto is based on themes he used in four such cinematic efforts, themes whose new guise hardly masked the air of a splashy, saccharine Hollywood, with images ……Robert Cummings @ AllMusic
"Scotland's sweetheart" and onetime BBC Young Musician of the Year Nicola Benedetti follows up her 2011 release Italia with this collection of music from the silver screen and beyond. Centered around Erich Korngold's lush Violin Concerto, the album features film music both old and new, such as John Williams' Schindler's List, Howard Shore's Eastern Promises, and Dario Marianelli's Jane Eyre. It also includes other classical works by Korngold, Mahler, and Shostakovich.
“America, you are better off” – wrote Goethe in 1827, weary of German Romanticism and the 'fruitless wrangling' of sterile debates. A century later, the New World experienced an unprecedented wave of migration consisting of leading figures, largely Jewish, from the cultural and intellectual spheres of Germany and Austriia, composers were able to immerse themselves in the new world of sound film in Hollywood.
To celebrate the 100th anniversary of the world premiere of Elgar’s Violin Concerto which took place on 10 November 1910 and was conducted by the composer himself, celebrated Danish violinist Nikolaj Znaider has recorded the concerto on the very same instrument that Kreisler performed the premiere: this is the first account on disc using this very special violin, a 1741 Guarneri del Gesu. Znaider will also tour the work globally throughout 2010 and will perform the Concerto with the London Symphony Orchestra conducted by Sir Colin Davis on 10 November 2010 at London’s Barbican Concert Hall – the anniversary to the day of the world premiere.